Cinematic Art and Reversals of Power : Deleuze via Blanchot (Paperback)

Introduction: How the True World Finally Became a Bad Film PART ONE: Power and the Outside I. Power and the (In)Visible: Foucault and Deleuze II: From Menace to Passion in Blanchot & Deleuze: 'The Sovereignty of the Void' & Experience of the Imaginary III. Dreams: The Eclipse of the Day & its Incessant Return PART TWO: Art, Literature, & Ideas IV. The Conceptual Composition of the Work of Art: Chaos & the Outside V. Literature's Radical Reversal: from Absence of Origin to Deterritorialized Future VI. Kafka's Castle: A Case Study-Conceptual Inexistence & Obscure Value PART THREE: Cinema VII. Cinematic Worlds of Truth and Reality: Deleuze's Movement Image via Foucault VIII. Radical Reversals of Cinematic Art: The Dissociative Force of Blanchot's Outside in Deleuze's Time-Image IX. "Is Anyone Seeing This?" Conclusion: Artistic Fiction and the Thought of Eternal Return