Carl Nielsen Studies : Volume 5 (Paperback)

Contents: Editorial, Niels Krabbe; Carl Nielsen and his organ preludes: in the context of Hans Henry Jahnn, Hugo Distler and Ernst Pepping, Jan Crummenerl; ‘Dreams and deeds’ and other dualities: Nielsen and the two-movement symphony, David Fanning and Michelle Assay; Carl Nielsen - the human crisis, then and now, John Fellow; Carl Nielsen and the idea of English national music, Michael Fjeldsøe and Jens Boeg; Sibelius, a towering national composer: an outsider’s perception, Glenda Dawn Goss; Nielsen on the boulevard: modernisms and the Harlequinesque in Cupid and the Poet, Daniel Grimley; Carl Nielsen and Knud Jeppesen: connections and collaborations, influences and significances, Thomas Holme Hansen; Music as life: authority and meaning in Nielsen’s 4th Symphony, Raymond Knapp; Nielsen in the United Kingdom, Paolo Muntoni; Alternative neo-Riemannian approaches to Carl Nielsen, Svend Hvidtfelt Nielsen; Nielsen’s Saul and David as tragedy: the dialectics of fate and freedom in drama and music, Anne-Marie Reynolds; Flatwards bound: defining harmonic flavour in late Nielsen, Robert Rival; Nielsen’s Arcadia: the case of the Flute Concerto, Ryan Ross; Carl Nielsen’s cultural self-education: his early engagement with fine art and ideas and the path towards Hymnus Amoris, Colin Roth; Metrical dissonance in the works of Carl Nielsen: a metrical analysis ofSinfonia Espansiva, first movement, Ulrik Skat Sørensen; Signifyin(g) Carl: Nielsen’s music in the jazz repertoire, Mikkel Vad. Reviews: Daniel M. Grimley: Carl Nielsen and the Idea of Modernism, Jørgen I. Jensen; Carl Nielsen’s Voice: His Songs in Context by Anne-Marie Reynolds, Ida-Marie Vorre. Reports: Two newly discovered sources for the String Quartet in F, Opus 44, and the Suite for Piano, Opus 45, Niels Krabbe. Bibliography 2009-2011, Anne Ørbæk Jensen and Niels Krabbe.