Art and Archaeology: Collaborations, Conversations, Criticisms (Hardcover, 2014)

Table of Contents: 1. Introduction Ian Alden Russell; Andrew Cochrane.- Part I. Exploration and Experimentation.- 2. Colin Renfrew: A conversation.- 3. The cave and the mind: Towards a sculptural and experimental approach to Upper Palaeolithic art Andrew Meirion Jones, University of Southampton.- 4. Joining Forces: Neuroaesthetics, contemporary visual art and archaeological interpretation of the past Liliana Janick, University of Cambridge.- 5. Interface I: Day of the Figurines IRAC.- Part II. Curation and Exhibition.- 6. Art and Archaeology: The Abhar agus Meon exhibition series Ian Alden Russell, Brown University.- 7. Art and Kilmainham Gaol: Negotiating art's critical intervention in the heritage site, Pat Cooke, University College Dublin.- 8. Another proof of the preceding theory: Film, materialities and Stonehenge Helen Wickstead, Kingston University, London.- 9. Interface II: Home: An installation for living in Christine Finn, Independent Scholar.- Part III. Application and Exchange.- 10. Dust and debit age: An archaeology of Francis Bacon's studio Blaze O'Connor, University College Dublin.- 11. Creating contexts: Between the archaeological site and art gallery Antonia Thomas, University of the Highlands and Islands.- 12. Artists connecting archaeologists: Encountering the third kind Michael Jasmin, Artist and Independent Scholar.- 13. Interface III: Digital Dwelling at Skara Brae Alice Watterson, Glasgow School of the Arts Kieran Baxter, University of Dundee Aaron Watson, www.monumental.uk.com.- Part IV. Archaeology after Art.- 14. Pearson Shanks - theatre/archaeology - return and prospect Mike Pearson, Aberystwyth University Michael Shanks, Stanford University.- 15. Art // Archaeology // Art: Letting-go beyond Doug Bailey, San Francisco State University.