Exhibiting Outside the Academy, Salon and Biennial, 1775-1999 : Alternative Venues for Display (Hardcover, New ed)

Contents: Introduction: Alternative venues, Andrew Graciano; Nathaniel Hone’s 1775 exhibition: the first single-artist retrospective, Konstantinos Stefanis; Branding Shakespeare: Boydell's Shakespeare gallery and the politics of display, Heather McPherson; Fantasy and rivalry: Jean-Baptiste Regnault’s solo exhibition, Paris 1800, Katie Hanson; Rereading ‘Court’ in the touring exhibition of Rembrandt Peale’s Court of Death (1820), Tanya Pohrt; ‘Plasmati dalle sue mani’: Canova’s touch and the Gipsoteca of Possagno, Christina Ferando; Art history as spectacle: blockbuster exhibitions in 1850s England, Amy M. Von Lintel; Merging form and formlessness: the 1892 monotype exhibition by Edgar Degas, Christine Y. Hahn; The radical work of Oskar Kokoschka and the alternative venues of Die Kunstschauen of 1908-1909, Vienna, Austria, Rosa J.H. Berland; Bringing the boudoir into the gallery: Florine Stettheimer’s ‘failed’ solo exhibition, Karen Stock; Exhibiting the museum-function: Marcel Broodthaers and the Musee d’Art Moderne, departement des Aigles, Julian Jason Haladyn; Georges Adeagbo: between artwork and exhibition, Kathryn M. Floyd; Epilogue: control issues: creation, display and meaning, Andrew Graciano; Select bibliography; Index.