The Baroque in Architectural Culture, 1880-1980 (Hardcover, New ed)

Chapter 1 Defining a Problem: Modern Architecture and the Baroque Chapter 2 Engaging the Past: Albert Ilg’s Die Zukunft des Barockstil Chapter 3 Großstadt as Barockstadt: Art History, Advertising and the Surface of the Neo-Baroque Chapter 4 The “Restless Allure” of (Architectural) Form: Space and Perception between Germany, Russia and the Soviet Union Chapter 5 Geoffrey Scott, the Baroque, and the Picturesque Chapter 6 Against Formalism: Aspects of the Historiography of the Baroque in Weimar Germany, 1918?33 Chapter 7 Riegl and Wolfflin in Dialogue on the Baroque Chapter 8 Beyond the Vienna School: Sedlmayr and Borromini Chapter 9 Pevsner’s Kunstgeographie: From Liepzig’s Baroque to the Englishness of Modern English Architecture Chapter 10 The Future of the Baroque, c. 1945 Chapter 11 Giedion as Guide: Space, Time and Architecture and the Modernist Reception of Baroque Rome Chapter 12 Reading Aalto through the Baroque: Constituent Facts, Dynamic Pluralities, and Formal Latencies Chapter 13 Taking the Sting out of the Baroque: Wittkower, 1958 Chapter 14 Pierre Charpentrat and Baroque Functionalism 15 From Spatial Feeling to Functionalist Design: Contrasting Representations of the Baroque in Steen Eiler Rasmussen’s Experiencing Architecture Chapter 16 From Michelangelo to Borromini: Bruno Zevi and Operative Criticism Chapter 17 Between History and Design: The Baroque Legacy in the Work of Paolo Portoghesi Chapter 18 Steinberg’s Complexity Chapter 19 The “Recurrence” of the Baroque in Architecture: Giedion and Norberg-Schulz’s Approaches to Constancy and Change Chapter 20 The Future of the Baroque, c. 1980