Music's Immanent Future : The Deleuzian Turn in Music Studies (Hardcover, New ed)

List of FiguresList of TablesList of Music ExamplesNotes on ContributorsAcknowledgements Introduction Sally Macarthur and Judy Lochhead The Academic Music Machine 1. The Academic Music Machine Sally Macarthur 2. From the Universal and Timeless to the Here and Now: Rethinking Music Studies Susan McClary 3. Music and the Intertextualities of Listening, Performing and Teaching Jennifer Shaw 4. An Immanent Approach to Theory and Practice in Creative Arts Research Joseph Williams Deleuzian Encounters 5. Intra-active Soundings: becoming-woman, becoming-minor Sally Macarthur and Judy Lochhead 6. Chaotic Mappings: On the Ground with Music Judy Lochhead 7. Meeting the Composer Halfway: Which Anne Boyd? Sally Macarthur 8. Schaeffer’s Sound Effects Ian Stevenson Materialities of Sounding 9. Applied Aesthetics Judy Lochhead 10. Living Colours: An Asian?Pacific Conceptual Frame for Composition Bruce Crossman 11. Kawaii Aesthetics and the Exchange Between Anime and Music Paul Smith 12. A Musical Portmanteau: Rock Viscerality, Juxtaposition and Modernist Textures in Frumious Holly Harrison Immanent Listening 13. Immanent Listening Sally Macarthur 14. Seeing the Sense: Imagining a New Approach to Acousmatic Music and Listening Michelle Stead 15. Listening to Ethnographic Holocaust Musical Testimony through Jean-Luc Nancy Joseph Toltz Deleuzian Ontologies 16. Musical Becomings Judy Lochhead 17. Material Music: Speculations on Non?Human Agency in Music Greg Hainge Bibliography Index