Video Theories: A Transdisciplinary Reader (Paperback)

1. Theoretical Foundations/ Media Studies 1.1 Media Philosophy Herbert Marshall McLuhan: t.b.c. (1960-64) Excerpted from: McLuhan, Herbert Marshall. 1964. Understanding Media, New York: McGraw-Hill. -- "Draft for Gutenberg Video", Typescript 1960, National Archives of Canada, previously unpublished. Vilem Flusser: t.b.c. (1977-91) Excerpted from: Flusser, Vilem. 1977. "Video." In Art sociologique Video, edited by Fred Forest, 402-419. Paris: Union Generale d'Editions. -- 1985. Ins Universum der Technischen Bilder. Gottingen: Europ. Photography. -- 1991. "Die Geste des Video." In Gesten, 193-198. Dusseldorf: Bollmann. Jean-Paul Fargier t.b.c. (1986) Excerpted from: Fargier, Jean-Paul, ed. 1986. Les Cahiers du cinema, Ou va la video?, Hors-serie, No. 14. Jacques Lacan: Television (1987) Excerpted from: Lacan, Jacques. 1987. "Television.", In October, n° 40, Printemps. Jean Baudrillard: t.b.c. (1988) Excerpted from: Baudrillard, Jean. 1988. "Videowelt und fraktales Subjekt (1988)." In Philosophien der neuen Technologie, ed. by Ars Electronica, 113-31. Berlin: Merve. Jacques Derrida: Videor (1990) Excerpted from: Derrida, Jacques. 1990. "Videor." In Passages de l'image, edited by Raymond Bellour,Catherine David,Christine van Assche, 158-161. Paris: Editions du Centre Pompidou. Paul Virilio: The Vision Machine (1994) Excerpted from: Virilio, Paul. 1994. The Vision Machine, Bloomington, IN: Indiana University Press. Tetsuo Kogawa: Video: The Access Medium (1996) Excerpted from: Kogawa, Tetsuo. 1996. "Video: The Access Medium" In Resolutions. Contemporary Video Practices, edited by Michael Renov and Erika Suderberg. Minneapolis: University of Minnesota Press. 1.2 History and Theory of Technology Woody Vasulka: t.b.c. (1975/76, 1990) Excerpted from: Vasulka, Woody with Scott Nygren. 1975. "Didactic Video: Organizational Models of the Electronic Image." In Afterimage, vol. 3, no. 4, (October), 9-13. Vasulka, Woody. 2008. "Five Lectures (1976)." In Buffalo Heads: Media Study, Media Practice, Media Pioneers, 1973- 1990, edited by Woody Vasulka and Peter Weibel, 411- 419. Cambridge, Mass.: MIT Press. Vasulka, Woody. 1990. "The New Epistemic Space." In: Illuminating Video: An Essential Guide to Video Art, edited by Doug Hall and Sally Jo Fifer, 464-470. New York: Aperture. Siegfried Zielinski: t.b.c. (1986/92) Excerpted and translated from: Zielinski, Siegfried. 1986 (2010). Zur Geschichte des Videorecorders, Berlin: Polzer Media Group. Zielinski, Siegfried, ed. 1992. Video - Apparat/Medium, Kunst, Kultur. Ein internationaler Reader. Frankfurt am Main:Lang. Sean Cubitt: Video Media (1993) Excerpted from: Cubitt, Sean. 1993. Videography: Video Media as Art and Culture, London: Palgrave Macmillan. Introductory Chapter: Video Media (pp.XI, XV-XVIII) Wolfgang Ernst: Is there a specific videocity? (2002) From: Internationales Bochumer Videofestival # 12. 2002. Programmheft, 106-114. Bochum: AstAKulturreferat der Ruhr-Universitat Bochum. Sherry Miller Hocking: The Grammar of Electronic Image Processing (2014) From: Sherry Miller Hocking. 2014. "The Grammar of Electronic Image Processing." In: The Emergence of Video Processing Tools, edited by Kathryn High, Sherry Miller Hocking, Mona Jimenez, Chicago: Intellect. 1.3 Cultural Studies Roy Armes: On Video (1988) Excerpted from: Armes, Roy. 1988. On Video, New York: Routledge. Frederic Jameson: Surrealism Without the Unconscious (1991) Excerpted from: Jameson, Fredric. 1991. "Video. Surrealism Without the Unconscious." In Postmodernism or, The Cultural Logic of Late Capitalism, 67-96. Durham, N.C.: Duke University Press. Marita Sturken: The Politics of Video Memory: Electronic Erasures and Inscriptions (1996) Excerpted from: Sturken, Marita. 1996. "The Politics of Video Memory: Electronic Erasures and Inscriptions." In Resolutions. Contemporary video practices, edited by Michael Renov and Erika Suderberg. Minneapolis: University of Minnesota Press. 2. Intermediality/Comparative Media Studies: 2.1 Video and TV Nam June Paik: Global Groove and Video Common Market (1970) From: Nam June Paik. 1997. Videa 'n' Videology 1959-1973, edited by Judson Rosebush. Syracuse, New York: Verson Museum of Art. Antoni Muntadas: Una subjectividad criteria (1980) Excerpted from: Eugeni Bonet, Joaquim Dols, Antoni Marcader, Antoni Muntadas. 1980. En torno al video, 241-272. Barcelona: Gustavo Gili. Dara Birnbaum: Talking Back to the Media (1985) From: Birnbaum, Dara. 1985. Talking Back to the Media, 46-49. Amsterdam: Stichting. 2.2 Video and Film Hollis Frampton: The Withering Away of the State of the Art (1977) Excerpted from: Davis, Douglas, Allison Simmons, Fred Barzyk. 1977. Open Circuits: an international conference on the future of television, 24-37. Cambridge, MA: MIT Press. Jean-Luc Godard: Les annees video (1975 a 1980) Translated from: Jean-Luc Godard par Jean-Luc Godard, Edition etabli par Alain Bergala. Paris: Cahiers du Cinema-Editions de L'Etoile. Gabor Body: Video and Film (1987) From: Body, Gabor. 1987. Video alfa. Selyemgombolyito. Budapest. 2.3 Video and Sound Nam June Paik: AFTERLUDE to the Exposition of EXPERIMENTAL TELEVISION (1964) From: Nam June Paik. 1997. Videa 'n' Videology 1959-1973, edited by Judson Rosebush. Syracuse, New York: Verson Museum of Art. Bill Viola: The Sound of One Line Scanning (1986/90) Excerpted from: Viola, Bill. 1995. Reasons for Knocking at an Empty House: Writings 1973-1994, edited by Robert Violette. Cambridge, MA: MIT Press. 2.4 Music Clips E. Ann Kaplan: t.b.c. (1987) From: Kaplan, E. Ann. 1987. Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture. New York: Methuen. Diedrich Diederichsen: Kunstvideo versus Videoclip (2004) Excerpted and translated from: Diederichsen, Diedrich. 2004. "Kunstvideo versus Videoclip: Eine Musik, die ohne Bilder nicht leben kann." In Video - 25 Jahre Videoasthetik, exh. cat. NRW-Forum Kultur und Wirtschaft, edited by Ulf Poschardt. Dusseldorf:Ostfildern. Carol Vernallis: tbc. (2013) Excerpted from: Vernallis, Carol. 2013. Unruly Media: YouTube, Music Video, and the New Digital Cinema. Oxford: Oxford University Press. 3. Broadcast Yourself (Internet Video) ed. by Martha Buskirk (Montserrat College of Art, Cambridge, MA) Cory Arcangel and Dara Birnbaum: Do It 2 (2009) Excerpted from: Arcangel, Cory and Dara Birnbaum. 2009. "Do It 2." In Artforum (March). Hito Steyerl: In Defense of the Poor Image (2009) Excerpted from: Steyerl, Hito. 2009. "In Defense of the Poor Image." In E-Flux Journal #10 November (www.e-flux.com/journal/10/61362/in-defense-of-the-poor-image/) Sarah Kesenne: Regarding the Sex, Lies and Videotapes of Others: Memory, Counter-Memory, and Mystified Relations (2011) Excerpted from: Kesenne, Sarah. 2011. "Regarding the Sex, Lies and Videotapes of Others: Memory, Counter-Memory, and Mystified Relations." In: Video Vortex Reader II: Moving Images Beyond YouTube, Institute of Network Cultures, edited by Geert Lovink and Rachel Somers Miles. Amsterdam (URL: http://www.networkcultures.org/_uploads/%236reader_VideoVortex2PDF.pdf) Ceci Moss: Internet Explorers (2014) Excerpted from: Moss, Ceci. 2014. "Internet Explorers." In Mass Effect: Art and the Internet in the Twenty-First Century, edited by Lauren Cornell and Ed Halter. Cambridge, MA: MIT Press. Peter Snowdon: The Revolution Will be Uploaded: Vernacular Video and the Arab Spring (2014) Excerpted from: Snowdon, Peter. 2014. "The Revolution Will be Uploaded: Vernacular Video and the Arab Spring." In: Culture Unbound: Journal of Current Cultural Research, 6(2) Andreas Treske: Shiny things so bright (2017) Excerpted from: Treske, Andreas. 2017. "Shiny things so bright." Draft text of a talk at Video Vortex XI Kochi/India (http://networkcultures.org/wp-content/uploads/2017/04/Catalouge-compiled-final-28-03.pdf) Cecile Boex: YouTube and the Syrian Revolution. On the Impact of Video Recording on Social Protests (2017) Excerpted from: Boex, Cecile. 2017. "YouTube and the Syrian Revolution. On the Impact of Video Recording on Social Protests." In: View. Theories and Practices of Visual Culture 17 (URL: http://pismowidok.org/index.php/one/article/view/444/979/) 4. Aesthetic Theory/Art History 4.1 Medium-Specificity / Post-Media Rosalind Krauss: t.b.c. (2000/2011) Excerpted from: Krauss, Rosalind. 2000. A Voyage in the North Sea: Art in the Age of the Post-Medium Condition. London: Thames & Hudson Ltd. -- 2011. Under Blue Cup, Cambridge, MA: MIT Press. Yvonne Spielmann: t.b.c. (2005) Excerpted from: Spielmann, Yvonne. 2005 (2007). Video: The Reflexive Medium, trans. Anja Welle and Stan Jones, Cambridge, MA: MIT Press. Ina Blom, Towards an Autobiography of Video (2018) Excerpt from: Blom, Ina. 2016. The Autobiography of Video. The Life and Times of a Memory Technology. New York: Sternberg Press. (Introduction: 11-32) 4.2 Typology and Genre Video Installation / Video Sculpture / Video-Performance / Videotapes David Antin: Video. The Distinctive Features of the Medium (1975/76) Excerpted from: Antin, David. 1975. Television: Video's Frightful Parent. Artforum, Volume 14 -- 1976. "Video the Distinctive Features of the Medium." In Video Art, exhibition catalogue, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, pp. 57-73, Reprint in: Schneider / Korot 1976 Nam June Paik: t.b.c. (1974-1992) Excerpted (and translated) from: Paik, Nam June. 1974. Videa 'n' Videology 1959-1973 -- 1992. Niederschriften eines Kulturnomaden, edited by Edith Decker. Koln: DuMont. Vito Acconci: Television, Furniture, and Sculpture. The Room with the American View (1984) Excerpted from: Acconci, Vito. 1984. "Television, Furniture, and Sculpture: The Room with the American View." In: The Luminous Image, 13-23, Amsterdam: Stedelijk Museum. Chris Meigh-Andrews (2006/13) Excerpted from: Meigh-Andrews, Chris. 2013. A History of Video Art. London, New York: Bloomsbury Academic. (A revised and expanded edition of the 2006 original) Stephen Partridge: t.b.c. (2012) Excerpted from : Cubitt, Sean and Stephen Partridge. 2012. REWIND: British Artists' Video of the 1970s and 1980s. New Barnet: John Libbey. Helen Westgeest: t.b.c. (2015) Excerpted from: Westgeest, Helen. 2015. Video Art Theory: A Comparative Approach, Hoboken, NJ: Wiley-Blackwell. 4.3 Art & Technology / Innovation Discourse Gene Youngblood t.b.c. (1970/88) Excerpted from: Youngblood, Gene. 1970. Expanded Cinema. New York: E. P. Dutton & Co., Inc. Allan Kaprow: Video Art. Old Wine, New Bottle (1974) Excerpted from: Kaprow, Allan. 1974. "Video Art: Old Wine, New Bottle." In Artforum 12, no. 10 (June 1974), pp. 46-49. Douglas Davis t.b.c. (1977) Excerpted from: Davis, Douglas and Allison Simmons. 1977. The New Television: A Public/Private Art. Cambridge, MA: MIT Press. 4.4 Access / Distribution / Art Market Infermental. An International Cinematrographical Periodical on Video Cassettes (Founding Manifesto 1981) From: Body, Gabor, Astrid Heibach, Georg Pinter and Jozef Robakowski. 1981. "Infermental - an International Cinematrographical Periodical on Video Cassettes (Founding Manifesto)." In Medien Kunst Interaktion, die 80er und 90er Jahre in Deutschland / Media Art Interaction, The 1980s and 1990s in Germany, edited by Rudolf Frieling,Dieter Daniels, 69-70. Wien, New York: Springer. Dieter Daniels: Video / Art / Market (2006) From: Dieter Daniels. 2006. "Video / Art / Market." In Frieling, Rudolf, Wulf Herzogenrath. 40 yearsvideoart.de - part 1, digital heritage: video art in germany from 1963 to the present, 40-49. Ostfildern: Hatje Cantz. Sven Lutticken: Viewing Copies. On the Mobility of Moving Images (2009) Excerpted from: Lutticken, Sven.2009. "Viewing Copies: On the Mobility of Moving Images." In: e-flux journal #8, Sept. Erika Balsom: After Uniqueness: A History of Film and Video Art in Circulation (2017) Excerpted from: Balsom, Erika. 2017. After Uniqueness: A History of Film and Video Art in Circulation, New York, NY: Columbia University Press. -- 2016. "The limited copy: Old problems and new possibilities." In I Have a Friend Who Knows Someone Who Bought a Video, Once. On Collecting Video Art, edited by Ilaria Bombelli, a project by LOOP Barcelona. Mailand: Mousse Publishing. 5. Video in Performance/Theater ed. by Barbara Buscher (Hochschule fur Musik und Theater, Leipzig) Valentina Valentina: t.b.c. (1987) Valentina Valentina. 1987. Teatro in Immagine, eventi performativi e nuovi media, Roma: Bulzoni. Elizabeth LeCompte: t.b.c. (1993) Excerpted from: LeCompte, Elizabeth. 1993. "Brace up! Rules for TV Meditation." In: http://e-felix.org/issue3/Lecompte.html -- 1993. "A Library of Cultural Detritus." In: Theaterschrift No. 5/6. Diller & Scofidio: Moving Target - General Intentions (1996) Excerpted from: Diller & Scofidio. 1996. "Moving Target - General Intentions." In Programmheft zur Produktion Moving Target mit Charleroi Danse (Frederic Flammand) & KHM Koln. Bert Neumann: t.b.c. (2001) Excerpted from: Hurtzig, Hannah. ed. 2001. 'Imitiation of Life'. Bert Neumann Buhnebilder, Theater der Zeit. Jonas, Joan Transmission (2003) From: Jonas, Joan. 2003. "Transmission." In Women, Art, and Technology, edited by Judy Malloy, 114-133. Cambridge, MA: MIT Press. Mick Kaye: t.b.c. (2007) Excerpted from: Kaye, Nick. 2007. Multi-Media. Video - Installation - Performance. London: Routledge. Paolo Rosa: t.b.c. (2007) Excerpted from: Rosa, Paolo (Studio Azzurro). 2007. "Confidential Report on an Interactive Experience." In Kaye, 141-162. Chantal Pontbriand: Per/Form: How to Do Things without Words (2014) Excerpted from: Pontbriand, Chantal. 2014. Per/Form: How to Do Things without Words. Berlin / New York: Sternberg Press. Birgit Wiens: t.b.c. (2014) Excerpted from: Wiens, Birgit. 2014. Intermediale Szenographie. Raumasthetiken des Theaters am Beginn des 21. Jahrhunderts, Paderborn: Fink. 6. Social Theory 6.1 Political Studies Hans Magnus Enzensberger (1970/77) Excerpted from: Enzensberger, Hans Magnus. 1974 (1970). "Constituents of a Theory of the Media." In The Consciousness Industry: On Literature, Politics and Media, edited by Michael Roloff, trans. Stuart Hood, 95-128. New York: Seabury Press, (first published in German 1970: Baukasten zu einer Theorie der Medien, in: Kursbuch 20 / March 1970) -- 1977. "Television and the Politics of Liberation." In The New Television, edited by Douglas Davis and Allison Simmons. Cambridge, MA: MIT Press. Maurizio Lazzarato: t.b.c. (2002) Excerpted from: Lazzarato, Maurizio. 2002. Videophilosophie. Zeitwahrnehmung im Postfordismus. Berlin: b_books. Angela Melitopoulos: t.b.c. (2011) Excerpted from: Melitopoulos, Angela. 2011. "Lamartines Erwachen. Bildbahnungen im Videoessay." In: Der Essayfilm. Asthetik und Aktualitat, edited by Sven Kramer, Thomas Tode. Konstanz: UVK. Hito Steyerl: t.b.c. Excerpted from: Steyerl, Hito. 2012. The Wretched of the Screen, New York: Sternberg Press. 6.2 Activism/ Community Video Radical Software: t.b.c. Michael Shamberg: t.b.c. (1971) Excerpted from: Shamberg, Michael (Raindance Corporation). 1971. Guerrilla Television, Saint Louis, Mo: Holt, Rinehart & Winston. Gerd Roscher: Auf der Suche nach dem anderen Video (1985) Translated from: Roscher, Gerd. 1985. "Auf der Suche nach dem anderen Video." In Cinema, unabhangige Schweizer Filmzeitschrift. Deidre Boyle: t.b.c. (1986/97) Excerpted from: Boyle, Deidre. 1986. Video Classics: A Guide to Video Art and Documentary Tapes, Phoenix, AZ: Oryx Press. -- 1997. Subject to Change: Guerrilla Television Revisited, Oxford: Oxford University Press, 1997. 6.3 Amateurism - Consumerism Umberto Eco: TV. The lost transparency (1983) Translated from: Eco, Umberto 1983. TV: La transparenza perduta, translation from the Italian in: TeleGen. Kunst und Fernsehen /TeleGen. Art and Television, Kunstmuseum Bonn / Kunstmuseum Liechtenstein, edited by Dieter Daniels, Stephan Berg, 194-216. Munchen: Hirmer Jean-Luc Godard: t.b.c. (1977-85) Excerpted from: Godard, Jean-Luc. 1977. "Interview mit Wilfried Reichert." In Filmkritik, Nr. 242, Feb. -- 1979. "Le dernier reve d'un producteur." In Cahiers du Cinema. No. 300 (May): 70-129. -- 1985. Jean-Luc Godard, "Les annees video (1975 a 1980)." In Jean-Luc Godard par Jean-Luc Godard, second Edition etabli par Alain Bergala, Paris: Cahiers du Cinema-Editions de L'Etoile. Sean Cubitt: Wedding Videos (t.b.c.) (1993) Excerpted from: Cubitt, Sean. 1993. Videography. Video Media as Art and Culture, London: Palgrave Macmillan. Chapter "Videography: The Helical Scan" (3-7) David Joselit: t.b.c. (2007) Excerpted from: Joselit, David. 2007. Feedback : Television Against Democracy, Cambridge, MA: MIT Press. Lucas Hilderbrand: The Histories and Erotics of Home Video (2009) Excerpted from: Hilderbrand, Lucas. 2009. Inherent Vice. Bootleg Histories of Videotape and Copyright. Durham, NC: Duke University Press, 33-34, 65-72 6.4 Feminism / Gender Theory Anne-Marie Duguet: La video des femmes (1981) Excerpted and translated from: Duguet, Anne-Marie. 1981. Video, la memoire au poing. Paris: Hachette. (89-111) Ulrike Rosenbach: Video as a Medium of Emancipation (1982) Excerpted from: Rosenbach, Ulrike. 2017: "Video as a Medium of Emancipation." In Video Writings by Artists (1970-1990), edited by Eugeni Bonet. Barcelona: Mousse Publishing. Martha Gever: The Feminism Factor: Video and its Relation to Feminism (1991) Excerpted from: Gever, Martha.1991. "The Feminism Factor: Video and its Relation to Feminism", In Illuminating Video: An Essential Guide to Video Art, edited by Doug Hall, Sally Jo Fifer, 226-241. New York: Aperture Press. Vanalyne Green: Vertical Hold. A History of Women's Video Art (2006) Excerpted from: Vanalyne Green. 2006. Vertical Hold: A History of Women's Video Art, in: Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews, Wide Angle Books, Temple University Press, Philadelphia, PA. Sigrid Adorf: t.b.c. (2008) Excerpted and translated from: Adorf, Sigrid. 2008. Operation Video: Eine Technik des Nahsehens und ihr spezifisches Subjekt: Die Videokunstlerin Der 1970er Jahre. Bielefeld: Transcript Verlag Amelia Jones: Screen Eroticisms: Exploring Female Desire in Feminist Film and Video (2012) Excerpted from: Jones, Ameila. 2012. "Screen Eroticisms: Exploring Female Desire in Feminist Film and Video." In Resolutions 3. Global Networks of Video, edited by Ming-Yuen S. Ma and Erika Suderburg, 258-273. Minneapolis: University of Minnesota Press. 7. Image Guidance 7.1 Surveillance Studies / Governmentality Anne-Marie Duguet: Dispositifs (1988) Excerpted and translated from: Anne-Marie Duguet. 1988. "Dispositifs." In Video, edited by Raymond Bellour and Anne-Marie Duguet, Communications 48. David Lyon: Electronic Eye (1994) Excerpted from: Lyon, David. 1994. Electronic Eye: The Rise of Surveillance Society. Minneapolis: Univ of Minnesota Press. Margaret Morse: t.b.c. (1998) Excerpted from: Morse, Margaret. 1998. Virtualities. Television, Media Art, and Cyberculture. Bloomington, IN: Indiana University Press. Winfried Pauleit: Videosurveillance and postmodern subjects (2002) Excerpted from: Pauleit, Winfried. 2002. "Videosurveillance and Postmodern Subjects." In Ctrl [Space]. Rhetorics of Surveillance from Bentham to Big Brother, edited by Thomas Y. Levin et. al., 465-479. Cambridge, MA: MIT Press. 7.2 Operational Images Harun Farocki: t.b.c. Excerpted from: Farocki, Harun. 2004. "Phantom Images." In Public 29, Localities, edited by Saara Liinamaa, Janine Marchessault and Christine Shaw. - - 2002. "Controlling Observation." In From Work To Text. Dialogues on Practise and Criticism in Contemporary Art, edited by Jurgen Bock, Lisboa. Also published in: CTRL (Space): Rhetorics of Surveillance from Bentham to Big Brother, ed. by Thomas Levin, 102-107, Cambridge: MIT Press. Volker Pantenburg: t.b.c. (2017) Excerpted from: Pantenburg, Volker. 2017. "Harun Farocki and the Operational Image." In Image Operations. Visual Media and Political Conflict, edited by Jens Eder and Charlotte Klonk, 49-62. Manchester: Manchester University Press. Lev Manovich: t.b.c Kogge, Werner. 2004. "Lev Manovich: Society of the Screen." In Medientheorien. Eine philosophische Einfuhrung, edited by David Lauer and Alice Lagaay, 297-315. Frankfurt /M: Campus Verlag. Aud Sissel Hoel: Video as Operative Tool (t.b.c.) Excerpted from: Sissel Hoel, Aud and Frank Lindseth. 2014. "Differential Interventions: Images as Operative Tools." In The New Everyday: A MediaCommons Project, 'The Operative Image' cluster curated by Ingrid Hoelzl, http://mediacommons.futureofthe-book.org/tne/cluster/operative-image January 24, 2014. Translated and excerpted from: Sissel Hoel, Aud. 2016. "Neurochirurgische Bildoperationen." In Bildwelten des Wissens, Kunsthistorisches Jahrbuch fur Bildkritik, Bd. 12: Image Guidance. Bedingungen bildgefuhrter Operation, 19-29. Berlin: De Gruyter. 8. Psychiatric Theory and Practice 1963 - 1980 ed. by Peter Sachs-Collopy (Caltech, Pasadena, CA) Floyd S. Cornelison, Jr. and Jean Arsenian: A Study of the Response of Psychotic Patients to Photographic Self-Image Experience (1960) Cornelison, Jr., Floyd S., and Jean Arsenian. "A Study of the Response of Psychotic Patients to Photographic Self-Image Experience." Psychiatric Quarterly 34, no. 1 (1960): 1-8. Robert H. Geertsma and Ronald S. Reivich: Repetitive Self-Observation by Videotape Playback (1965) Geertsma, Robert H., and Ronald S. Reivich. "Repetitive Self-Observation by Videotape Playback." Journal of Nervous and Mental Disease 141, no. 1 (January 1965): 29-41. Floy Jack Moore, Eugene Chernell, and Maxwell J. West: Television as a Therapeutic Tool (1965) Moore, Floy Jack, Eugene Chernell, and Maxwell J. West. "Television as a Therapeutic Tool." Archives of General Psychiatry 12, no. 2 (February 1965): 217-20. https://doi.org/10.1001/archpsyc.1965.01720320105012. Lawrence S Kubie: Some Aspects of the Significance to Psychoanalysis of the Exposure of a Patient to the Televised Audiovisual Reproduction of His Activities (1973) Kubie, Lawrence S. "Some Aspects of the Significance to Psychoanalysis of the Exposure of a Patient to the Televised Audiovisual Reproduction of His Activities." Journal of Nervous and Mental Disease 148, no. 4 (April 1969): 301-9. https://doi.org/10.1097/NMD.0b013e31826baf6d. Vic Gioscia: Notes on Videotherapy (1973) Gioscia, Vic. "Notes on Videotherapy." Radical Software 2, no. 4 (Fall 1973): 1-2. 9. Exemplary Discourses (diachronic) 9.1. Video Utopia (pro - contra) Marco Vassi (Radical Software): Zen Tubes (1970) Marco Vassi. 1970. "Zen Tubes." Radical Software, No. 1, p.18/19 Alfred Willener with Guy Milliard and Alex Ganty: Videology and Utopia: Explorations in a New Medium (1972) Excerpted from: Willener, Alfred. with Guy Milliard, and Alex Ganty. 1976 (1972). Videology and Utopia: Explorations in a New Medium, trans. and ed. Diana Burfield London: Routledge and Kegan Paul, 1976 (first published in French: Video et societe virtuelle. Videologie et utopie, Paris, Tema-editions, 1972.) Nam June Paik: Media Planning for the Postindustrial Society - The 21st Century is Now Only 26 Years Away (1974) Excerpted from: Paik, Nam June. 1974 (1997). "Media Planning for the Postindustrial Society - The 21st Century is Now Only 26 Years Away." In Media Art Action, The 1960s and 1970s in Germany,edited by Rudolf Frieling anc Dieter Daniels, 236-243. Wien / New York; Springer Verlag. Martha Rosler: Video: Shedding the Utopian Moment (1985/86) Excerpted from: Rosler, Martha. 1985/1986. "Video: Shedding the Utopian Moment." Block , no. 11 (1985/1986) Paul Ryan: Video Journey through Utopia (1999) Excerpted from: Ryan, Paul. 1999. "Video Journey through Utopia." Afterimage 27, no. 3 (November/December 1999) Gene Youngblood: Video and Utopia (1988) Translated from: Youngblood, Gene. 1988. "Video et Utopie." In Video, Communications, No. 48, Joan Braderman: TV/Video: Reclaiming the Utopian Moment (1991) Excerpted from: Braderman, Joan. 1991. "TV/Video: Reclaiming the Utopian Moment." In: Roar! The Paper Tiger Television Guide to Media Activism, edited by Daniel Marcus, New York: Paper Tiger Television Collective. 9.2. Narcissism and Closed Circuit Peter Campus: Video as a Function of Reality (1974) Excerpted from: Campus, Peter. 1974 (2017). "Video as a Function of Reality." In Video Writings by Artists (1970-1990), edited by Eugeni Bonet. Mailand: Mousse Publishing. Dan Graham: t.b.c. Excerpted from: Graham, Dan. 1979. Video/Architecture/Television: Writings on Video and Video Works 1970 - 1978, edited by Benjamin H. D. Buchloh, Halifax: The Press of the Nova Scotia College of Art and Design, New York: New York University Press. Rosalind Krauss: t.b.c. (1976) Excerpted from: Krauss, Rosalind. 1976. Video: The Aesthetic of Narcissism, October, Vol. 1 (Spring, 1976): 50-64. Lynn Hershman: Reflections on the electronic mirror (1978) Excerpted from: Hershman, Lynn. 1978. "Reflections on the Electronic Mirror." In New Artists' Video: A Critical Anthology, edited by Gregory Battcock. New York: E.P.Dutton. Raymond Bellour: Autoportraits (1988) Excerpted from: Bellour, Raymond. 1988. Autoportraits, in: Communications Vol. 48 (Annee 1988): 327, 344-346, 351-352. Vilem Flusser Discover European Video (1990) Excerpted from: Flusser, Vilem. 1990. "Discover European Video." In Discover European Video, Anthology Film Archives New York, Verein der Freunde und Forderer des Kunstraum Neuss. Takahiko Iimura: A Semiology of Video (1986) Excerpted from: Iimura, Takahiko. 1986. "A Semiology of Video." English version first published at COSIGN-2002, 02 - 04 September 2002, University of Augsburg, Lehrstuhl fur Multimedia-Konzepte und Anwendungen, Germany. Anja Osswald: t.b.c. (2003) Excerpted and translated from: Osswald, Anja. 2003. Sexy lies in videotapes. Kunstlerische Selbstinszenierung im Video um 1970 bei Bruce Nauman, Vito Acconci, Joan Jonas, Berlin: Gebruder Mann Verlag (Berliner Schriften zur Kunst, Bd. 18). Irene Schubiger t.b.c. (2004) Excerpted and translated from: Schubiger, Irene. 2004. Selbstdarstellung in der Videokunst. Zwischen Performance und "Self-editing". Berlin: Reimer.