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The Couch and the Silver Screen : Psychoanalytic Reflections on European Cinema

The Couch and the Silver Screen : Psychoanalytic Reflections on European Cinema (Hardcover)

Andrea Sabbadini (지은이), Dana Birksted-Breen (엮은이)
Routledge
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The Couch and the Silver Screen : Psychoanalytic Reflections on European Cinema
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책 정보

· 제목 : The Couch and the Silver Screen : Psychoanalytic Reflections on European Cinema (Hardcover) 
· 분류 : 외국도서 > 예술/대중문화 > 영화/비디오 > 역사/비평
· ISBN : 9781583919514
· 쪽수 : 278쪽
· 출판일 : 2003-05-29

목차

Mulvey, Foreword. Sabbadini, Introduction. Part I: Set and Stage. Bertolucci, Shaw, Mawson, The Inner and Outer Worlds of the Filmmaker's Temporary Social Structure. Christie, Stevenson, Taylor Robinson, One in the Eye From Sam - Samuel Beckett's Film (1964) and his Contribution to our Vision in Theatre, Cinema and Psychoanalysis. Part II: Working Through Trauma. Moretti, Golinelli, Bolognini, Sabbadini, Sons and Fathers: A Room of their Own - Nanni Moretti's The Son's Room (2001). Sekoff, Witness and Persecution in two Short Films: Miguel Sapochnik's The Dreamer (2001) and Lindy Heymann's Kissing Buba (2001). Annegret Mahler-Bungers, A Post-postmodern Walkyrie - Psychoanalytic Considerations on Tom Tykwer's Run, Lola, Run (1999). Pedron de Martin, Thomas Vinterberg's Festen (1998) - An Attempt to Avoid Madness Through Denunciation. Diamond, Itsvan Szabo's Sunshine (1999) - The Cinematic Representation of Historical and Familial Trauma. Part III: Horror Perspectives. Schneider, Notes on the Relevance of Psychoanalytic Theory to Euro-horror Cinema. Campbell, Dario Argento's Phenomena (1985) - A Psychoanalytic Perspective on the 'Horror Film' Genre and Adolescent Development. Aubry, Freedom Through Re-introjection: A Kleinian Perspective on Dominik Moll's Harry: He's Here to Help (2000). Grant, Cinema, Horror and the Abominations of Hell - Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The Beyond (1981). Part IV: Documenting Internal Worlds. Apted, Taylor Robinson, Narratives and Documentaries - An Encounter with Michael Apted and his Films. Cowie, The Cinematic Dream-work of Ingmar Bergman's Wild Strawberries (1957). Filipovic, Film as an Abreaction of Totalitarianism - Vinko Bre an's Marshal Tito's Spirit (2000). Berman, Rosenheimer, Aviad, Documentary Directors and their Protagonists: A Transferential / Countertransferential Relationship? Timna Rosenheimer's Fortuna (2000) and Michal Aviad's Ever Shot Anyone? (1995). Brody, Brearley, Filming Psychoanalysis: Feature or Documentary? Two Contributions.

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