Theorizing World Cinema (Hardcover)

List of Illustrations (to be provided) Notes on Contributors Acknowledgements Introduction Part I: The National Project 1. John Caughie 'Morvern Callar, Art Cinema and the 'Monstrous Archive'" 2. Ismail Xavier 'On Film and Cathedrals: Monumental Art, National Allegories and Cultural Warfare' 3. Ashish Rajadhyaksha 'A Theory of Cinema that Can Account for Indian Cinema' Part II: The Transnational Project 4. Paul Julian Smith 'Transnational Cinemas: The Cases of Mexico, Argentina and Brazil' 5. Chris Perriam 'Eduardo Noriega's Transnational Projections' 6. Felicia Chan 'From world cinema to World Cinema: Wong Kar-wai's Ashes of Time and Ashes of Time Redux' Part III: The Diasporic Project 7. Rajinder Dudrah 'Beyond World Cinema? The Dialectics of Diasporic Cinema' 8. Song Hwee Lim 'Speaking in Tongues: Ang Lee, Accented Cinema, Hollywood' Part 4: The Realist Project 9. Geoffrey Nowell-Smith 'From Realism to Neorealism' 10. Lucia Nagib 'Oshima, Corporeal Realism and the Eroticized Apparatus' 11. Tiago de Luca 'Realism of the Senses: A Tendency in World Cinema' 12. Laura Mulvey 'Rear Projection and the Paradoxes of Hollywood Realism' Index