After In-Yer-Face Theatre: Remnants of a Theatrical Revolution (Paperback, 2020)

2. Chapter Two: “In the Pursuit of New Writers”: The Royal Court Young Peoples’ Theatre and the Development of First Time Playwrights in the 1990s;  Nicholas Holden.

3. Chapter Three:  “A Shop Window for Outrage”: Harold Pinter’s Ashes to Ashes, In-Yer-Face Theatre and the Royal Court’s 1996 West End Season; Graham Saunders.

4. Chapter Four:  “The Last Rolo”: Love, Conflict and War in Anthony Neilson’s Penetrator; Rachael Newberry.

5. Chapter Five: Mark Ravenhill’s Dialectical Emotions: “In-Yer-Face” as Post-Brechtian Theater; Anja Hartl.

6. Chapter Six: Undressing Sarah Kane: A Portuguese Perspective on In-Yer-Face; Catia Faisco.

7. Chapter Seven: Russian “In-Yer-Face Theatre” as a Problem or a Process; Elena Dotsenko.

8. Chapter Eight: Surfing the Wave of In-Yer-Face Theatre on Australian Shores; Sandra Gattenhof.

9. Chapter Nine: The Hidden Dialogue between Sarah Kane and Edward Bond: The Dramaturgy of Accident Time and Ethical Subjectivities; Chien-Cheng Chen.

10. Chapter Ten: From “In-Yer-Face” to “In-Yer-Head”: Staging the Mind in Martin Crimp, Sarah Kane and Anthony Neilson; Solange Ayache.- 11. Chapter Eleven: Philip Ridley: Still In-Yer-Face; Thomas A. Oldham.

12. Chapter Twelve: Tales from the East End: Dialogic and Confessional Storytelling as Therapy (?) in the Plays of Philip Ridley; Cath Badham.- 13. Chapter Thirteen: Joe Penhall’s Fatherhood Plays: Escaping the Influence of Sam Shepard and the Lad; William C. Boles.

14. Chapter Fourteen: “Experiential, not speculative”: Love In and After In-Yer-Face; Korbinian Stockl.

15. Chapter Fifteen: The Echo Chamber: Theater in a “Post-Truth” World.

William C. Boles (엮은이)    정보 더보기

분야의 베스트셀러 >