Urban Culture in Tehran: Urban Processes in Unofficial Cultural Spaces (Paperback, Softcover Repri)

I: Introduction.- II: 'The Quiet Encroachment of the Ordinary'.- Resistance in the city and theories of civil resistance.- City as a ground for plays of power.- Tehran: Power and resistance in the city.- The everyday practice of resistance in the city.- The use of space: Cultural resistance and its allegories in Tehran.- Possibilities and platforms of cultural resistance in Tehran.- III: The Types.- III.1. Alternative Bookshops.- Introduction.- Historiography.- Genealogy of the independent and alternative bookshops in Tehran.- Conflict of capitalism and culture.- Official and alternative bookshops: State-run, Independent, Unofficial and alternative (second-hand) and street.- Underground bookshops (second-hand and street booksellers) as a space of resistance.- Bookshop as a cultural platform for events and actions.- The community of independent underground bookshops.- A map of alternative bookshops in Tehran.- Spatial arrangements of alternative bookshops.- List of Case studies.- III.2. Alternative Cafes.- Introduction.- Historiography of the cafe in the modernised Tehran.- Genealogy of cafe as a space of resistance.- Alternative Cafe, Cafe, and Coffee Shop.- A map of alternative cafes in Tehran.- Social coordinates of alternative cafe.- Cafe as a space of resistance.- Semiotics of architectural elements in cafe.- Endurance and instability of alternative cafes.- List of Case studies.- III.3. Domestic Art Gallery.- Introduction.- Historiography: A political history of galleries, Before and after the revolution.- Genealogy of art gallery in the modernised Tehran.- Independent art galleries and their conflict with the public state-controlled art sphere.-'Domestic Art Galleries': Gallery as a space of resistance.- The role of private properties in shaping independent art galleries.- The modern house, housing the alternative art gallery.- A map of galleries in Tehran.- List of case studies.- Notes.- Bibliography.-Image Credits.