Time and Space in Words and Music: Proceedings of the 1 St Conference of the Word and Music Association Forum, Dortmund, November 4-6, 2010 (Hardcover)

Contents: Mario Dunkel/Emily Petermann/Burkhard Sauerwald: Introduction ? Adrian Paterson: Worded or Sung? The Thirteen Teeth of Joyce’s ≪Pomes Penyeach≫ ? John McGrath: Musical Repetition in Samuel Beckett’s ≪Ill Seen Ill Said≫ ? Isabel Wagner: Aeolian Harps and Creators of Acoustic Spaces. Gert Jonke’s Self-Reflexive Soundscapes ? Emily Petermann: The Concept of Time Implied by the Theme and Variations Form. Novels Based on Bach’s ≪Goldberg Variations≫ ? Markus Huss: The Soundtrack of Exile. Towards an Intermedial Interpretation of Peter Weiss’s Literary Works ? Christin Hoene: Sounding through Time and Space. Music in Postcolonial South-Asian Literature ? Sarah Fekadu: Ezra Pound’s Spatial Aesthetics of Music ? Beate Schirrmacher: The Use of Musical Intermediality in Creating Spatial Temporality. Gunter Grass’s Novel ≪Ein weites Feld≫ (1995) ? Hannah Ianniello: Violence in Narratives about Jazz Musicians. Performance in Michael Ondaatje’s ≪Coming Through Slaughter≫ ? Helen Abbott: Poetic Time and Space, or What Faure Learns from Baudelaire ? Burkhard Sauerwald: A Song and Its Checkered History of Reception and Effect. ≪Der gute Kamerad≫ by Ludwig Uhland and Friedrich Silcher ? D. Kupfer: A Cycle of Songs, Sorrow and Citations. Earl Kim’s ≪Now and Then≫ (1981) ? Maria Ristani: Carving Time in Rhythm. Samuel Beckett and Minimalist Music ? Judith Crispin: The Transcendence of Musical Time. Text and Temporality in Busoni’s ≪Doktor Faust≫ and Messiaen’s ≪Saint Francois d’Assise≫ ? Tyler Cassidy-Heacock: Poetry Traced in the Air. Electronic Mediation, Musicalized Language, and Embodiment in Leroux’s ≪Voi(rex)≫.