Music Theory and its Methods: Structures, Challenges, Directions (Hardcover)

Contents: Rebekah Woodward: Towards New Editing Methods for Transcribing the Polyphonic Notre Dame Conductus Repertory ? Luca Bruno: A Methodological Approach Toward the Harmony of Sixteenth-Century Secular Polyphony ? Denis Collins: John Bull’s ≪Art of Canon≫ and Plainsong-Based Counterpoint in the Late Renaissance ? Byron Almen: Toward a Pluralism of Musical Cognitive Processes ? Timothy Dwight Edwards: The Sinfonias of J. S. Bach as an Advanced Discourse on Harmony ? Dimitar Ninov: Basic Formal Structures in Music: A New Approach ? Dennis Cole: Incorporating Transcriptions and Notation: Pedagogical Issues for the World Music Ensemble ? Elizabeth Lee: Music, Imagery, Meaning, and Emotion in Hugo Wolf’s ≪An eine Aolsharfe≫. An Analytical Triangulation via Schenkerian Analysis, the Theory of Musical Forces, and Cognitive Metaphor Theory ? Simon Perry: Pitch-Notational Analysis: A Basis for an Approach to Understanding Harmonic Thinking in Common-Practice and Post Common-Practice Tonality ? Milo? Zatkalik: Reconsidering Teleological Aspects of Nontonal Music ? Leon Stefanija: Levers of Satire in Twentieth-Century Music.