Cinema Beyond Film: Media Epistemology in the Modern Era (Paperback)

Acknowledgments, Introduction to an Epistemology of Viewing and Listening Dis 1 Epistemology, The 1900 Episteme1, Projected Cinema (A Hypothesis on the Cinema’s Imagination) , The Case for an Epistemography of Montage, The ‘Cinematographic Snapshot’, The Cinematograph versus Photography, or Cyclists and Time in the Work of Alfred Jarry , 2 Exhibition, Dynamic Paths of Thought , The Lecture, 3 Body and Voice, Dancing Dolls and Mechanical Eyes, From Broadcast Performance to Virtual Show, The Lecturer, the Image, the Machine and the Audio-Spectator , On the Singular Status of the Human Voice, About the Authors, Bibliography. Index of Names, Index of Titles, Index of Subjects.