The Aesthetic Discourse of the Arts: Breaking the Barriers (Paperback, Softcover Repri)

Acknowledgements. Theme. Inaugural Essay. The Creative Impulse and the Aesthetic Discourse of the Arts; A-T. Tymieniecka. Section One. Breaking the Frame: Transgression and Transformation in Giulio Romano's Sala dei Giganti; P. Carabell. The Nineteenth Century Landscape and Twentieth Century Space: Traumatic Loss or Trace of Memory? Robert Smithson and the Entrophic Metaphor; J.F. Blanchfield. Alechinsky, Cobra and the Book; R.R. Hubert. Aspiring to the Condition of Music: Hardy and his Art from the 1840s to the 1890s; K. Karbenier. Counterpoint in Print: Okot P'Bitek's Song of Lawino and Song of Ocol; R. Gray. Section Two. Semiotics and Musical Choice: `Beyond Analysis' Revisited; D. Lipten. When is a Work of Music Real; J. Parsons. Section Three. Machine-Time, Passion-Time, and Time that Trembles: Debussy and Baudelaire; S. Brown. Baroque and Classical Aesthetic Visions; C.O. Ruoff. To Consociate and Foster the Self; T. Raczka. Inanimorata: The Dread of Things; M. van Pelt. Musical and Visual Encounters: An Investigation of the Aesthetic Experience; R. Gangi. `... We need not Fear...' Expressivity & Silence in the Early Work of John Cage; R. Davis. Berlioz's Programme and Proust's Sonate: Parallel Quests to Bridge the Gaps in Musico-Literary Expression; C.K. Skorupa. Index of Names.