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The Routledge Companion to Cinema & Gender

The Routledge Companion to Cinema & Gender (Paperback)

E. Ann Kaplan, Patrice Petro, 크리스틴 르네 홀, 디야나 옐라차 (엮은이)
Taylor & Francis Ltd
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· 제목 : The Routledge Companion to Cinema & Gender (Paperback) 
· 분류 : 외국도서 > 예술/대중문화 > 영화/비디오 > 일반
· ISBN : 9781138391840
· 쪽수 : 492쪽
· 출판일 : 2018-09-28

목차

List of Figures

Acknowledgements

List of Contributors

Introduction

Kristin Lene Hole, Dijana Jela?a, E. Ann Kaplan, Patrice Petro

Part I

WHAT IS [FEMINIST] CINEMA?

Introduction

Chapter 1

Classical Feminist Film Theory: Then and (Mostly) Now

Patrice Petro

Chapter 2

Postcolonial and Transnational Approaches to Film and Feminism

Sandra Ponzanesi

Chapter 3

Feminist Forms of Address: Mai Zetterling’s Loving Couples

Lucy Fischer

Chapter 4

Sound and Gender

Kathleen Vernon

Chapter 5

Gender in Transit: Framing the Cinema of Migration

Sumita Chakravarty

Chapter 6

"No place for sissies": Gender, Age and Disability in Hollywood

Sally Chivers

Chapter 7

Chinese Socialist Women’s Cinema: An Alternative Feminist Practice

Lingzhen Wang

Chapter 8

Gender, Socialism and European Film Cultures

Aniko Imre

Chapter 9

Queer or LGBTQ+: On the Question of Inclusivity in Queer Cinema Studies

Amy Borden

 

Part II

GENRES, MODES, STARS

Introduction

Chapter 10

Contested Masculinities: The Action Film, the War Film, and the Western

Yvonne Tasker

Chapter 11

The Rise and Fall of the Girly Film: From the Woman’s Picture to the New Woman’s Film, the Chick Flick and the Smart-Chick Film

Hilary Radner

Chapter 12

Moving Past the Trauma: Feminist Criticism and Transformations of the Slasher Genre Anthony Hayt

Chapter 13

Slapstick Comediennes in Silent Cinema: Women’s Laughter and the Feminist Politics of Gender in Motion

Margaret Hennefeld

Chapter 14

Feminist Porn: The Politics of Producing Pleasure

Constance Penley, Celine Parrenas Shimizu, Mireille Miller-Young, and Tristan Taormino

Chapter 15

The Postmodern Story of the Femme Fatale

Julie Grossman

Chapter 16

The Documentary: Female Subjectivity and the Problem of Realism

Belinda Smaill

Chapter 17

Experimental Women Filmmakers

Maureen Turim

Chapter 18

Transnational Stardom

Russell Meeuf

Part III

MAKING MOVIES

Introduction

Chapter 19

Feminist and Non-Western Interrogations of Film Authorship

Priya Jaikumar

Chapter 20

Pink Material: White Womanhood and the Colonial Imaginary in World Cinema Authorship Patricia White

Chapter 21

Women, Islam and Cinema: Gender Politics and Representation in Middle Eastern Films and Beyond

Eylem Atakav

Chapter 22

African 'First Films':  Gendered Authorship, Identity, and Discursive Resistance

Anne Ciecko

Chapter 23

Black Women Filmmakers

Jacqueline Bobo

Chapter 24

Fair and Lovely: Class, Gender, and Colorism in Bollywood Song Sequences

Tejaswini Ganti

Chapter 25

What Was "Women’s Work" in the Silent Film Era?

Jane Gaines

Chapter 26

Female Editors in Studio-Era Hollywood: Rethinking Feminist Frontiers and the Constraints of the Archive

J.E. Smyth

Chapter 27

Film Activism and Transformative Praxis: Women Make Movies

Debra Zimmerman

Part IV

SPECTATORSHIP, RECEPTION, PROJECTING IDENTITIES

Introduction

Chapter 28

Psychoanalysis Outside and Beyond the Gaze

Claire Pajaczkowska

Chapter 29

Embodying Spectatorship: From Phenomenology to Sensation

Jenny Chamarette

Chapter 30

Deleuzian Spectatorship

Felicity Colman

Chapter 31

Film Reception Studies and Feminism

Janet Staiger

Chapter 32

Nollywood, Female Audience, and the Negotiating of Pleasure

Ikechukwu Obiaya

Chapter 33

Gender and Fandom: From Spectators to Social Audiences

Katherine E. Morrissey

Chapter 34

Classical Hollywood and Modernity: Gender, Style, Aesthetics

Veronica Pravadelli

Chapter 35

Lesbian Cinema Post-Feminism: Ageism, Difference, and Desire

Rachel Lewis

 

Part V

THINKING CINEMA’S FUTURE

Introduction

Chapter 36

Revolting Aesthetics: Feminist Transnational Cinema in the US

Katarzyna Marciniak

Chapter 37

Towards Trans Cinema

Eliza Steinbock

Chapter 38

Visualizing Climate Trauma: The Cultural Work of Films Anticipating the

Future

E. Ann Kaplan

Chapter 39

Eco-Cinema and Gender

Alexa Weik von Mossner

Chapter 40

Cinema, Animal Studies and the Post/Non-Human

Jennifer Lynn Peterson

Chapter 41

Class/Ornament: Cinema, New Media, Labor-Power and Performativity

Erica Levin

Chapter 42

Film Feminism, Post-Cinema and the Affective Turn

Dijana Jela?a

Chapter 43

Fantasy Echoes and the Future Anterior of Cinema and Gender

Kristin Lene Hole  

 

Index

 

 

저자소개

크리스틴 르네 홀 (지은이)    정보 더보기
포틀랜드 주립대학교의 영화학 조교수. 스토니브룩 대학교에서 문화학 박사를 받았다. 저서로 『페미니즘 영화 윤리를 향하여: 클레르 드니, 에마뉘엘 레비나스, 장 뤽 낭시』(2016)가, 디야나 옐라차, E. 앤 캐플런, 퍼트리샤 페트로와 공동 편집한 『루틀리지 컴패니언: 영화와 젠더』(2017)가 있다.
펼치기
디야나 옐라차 (엮은이)    정보 더보기
브루클린 대학교 영화학과 겸임교수. 매사추세츠 주립대학교-애머스트캠퍼스에서 커뮤니케이션학 박사학위를 받았다. 저서로 『탈구된 스크린 기억: 포스트 유고슬라비아 영화에서의 트라우마 서술』(2016)이 있다.
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