The Routledge Companion to Sounding Art (Hardcover)

General Introduction (Marcel Cobussen, Vincent Meelberg, and Barry Truax) Part 1: Sounding Art Introduction (Marcel Cobussen) 1. But Is It (Also) Music? (Leigh Landy) 2. Defining Sound Art (Laura Maes and Marc Leman) 3. Sound Leads Elsewhere (Douglas Kahn) 4. Dams, Weirs, and Damn Weird Ears: Post-Ergonal Sound (Seth Kim-Cohen) 5. Sound Words and Sonic Fictions: Writing the Ephemeral (Salome Voegelin) 6. Field Recording Centered Composition Practices: Negotiating the "Out-there" with the "In-here" (John Levack Drever) 7. Soundwalking, Sonification and Activism (Andrea Polli) Part 2: Acoustic Knowledge and Communication Introduction (Marcel Cobussen) 8. Why I Make Music with Natural Sounds (David Rothenberg) 9. > Image > Memory > Sound > Text > (John Wynne) 10. Institutionalized Sound (Frances Dyson) 11. Sonification and Music, Music and Sonification (Paul Vickers) 12. String Theory. Denis Diderot’s Philosophy of Sound and Everything (Veit Erlmann) 13. Music to the Eyes: Intersensoriality, Culture, and the Arts (David Howes) Part 3: Listening and Memory Introduction (Barry Truax) 14. That Passing Glance:Sounding Paths Between Memory and Familiarity (Katharine Norman) 15. The Art and Science of Sensory Memory Walking (Helmi Jarviluoma) 16. Postphenomenology: Sound Beyond Sound (Don Ihde) 17. Auditory Capital, Media Publics and the Sounding Arts (Kate Lacey) 18. Sonic Subjectivities (Ruth Herbert) 19. Pieces of Music as Memory Capsules (Tiina Mannisto-Funk) Part 4: Acoustic Spaces, Identities, and Communities Introduction (Vincent Meelberg) 20. Acoustic Space, Community, and Virtual Soundscapes (Barry Truax) 21. Towards an Art of Impregnation (Jean-Paul Thibaud) 22. Restless Acoustics, Emergent Publics (Brandon LaBelle) 23. Sounding Art Climate Change (Matthew Burtner) 24. Unsettling Performances, Soundwalks and Loudspeakers: Gender in Electroacoustic Music and Other Sounding Arts (Hannah Bosma) 25. Developing a Cognitive Heuristic Model of Sound Art (Linda-Ruth Salter and Barry A. Blesser) Part 5: Sonic Histories Introduction (Vincent Meelberg) 26. Whistling for the Hell of It (Hillel Schwartz) 27. Shakespeare as Sound Artist (Bruce R. Smith) 28. History, Archaeology, and De-anthropocentrism in Sound Art (Mandy-Suzanne Wong) 29. Weimar Activism: Walter Benjamin’s Work for Radio (Erik Granly Jensen) 30. Mapping Sounding Art: Affect, Place, Memory (Norie Neumark) Part 6: Sound Technologies and Media Introduction (Barry Truax) 31. What Would Be a Digital Sound? (Aden Evens) 32. Algorithms, Affect, and Aesthetic Listening (David Cecchetto) 33. Performance with Technology: Extending the Instrument ? From Prosthetic to Aesthetic (Simon Emmerson) 34. Distributed Sounding Art ? Practices in Distributing Sound (Franziska Schroeder and Pedro Rebelo) 35. The Art of a New Technology: Early Synthesizer Sounds (Trevor Pinch) 36. The Privatization of Sound Space (Mark Grimshaw)