The Bloomsbury Handbook of Sonic Methodologies (Hardcover)

Section One: Disciplines, Methodologies, Epistemologies. 1. Introduction to Section 1: Sonic Forms and the Temporalities of Silence (Michael Bull, University of Sussex, UK) 2. Sonic Methodologies in Anthropology (Alexandrine Boudreault-Fournier, University of Victoria, Canada) 3. Hearing With: Researching the Histories of Sonic Encounter(James G. Mansell, University of Nottingham, UK) 4. Sonic Methodologies in Urban Studies(Christabel Stirling, University of Oxford, UK) 5. Sound and Pedagogy: Taking Podcasting into the Classroom(Neil Verma. Northwestern University, USA) 6. Sonic Methodologies in Literature (Justin St. Clair, University of South Alabama, USA) 7. Sonic Methodologies by Way of Deconstruction (Naomi Waltham-Smith, University of Warwick, UK) 8. Sonic Materialism and/as Method (Tyler Shoemaker, University of California, Santa Barbara, USA) 9. Sonic Methodology In Philosophy (Elvira Di Bona, The Van Leer Jerusalem Institute, Israel) 10.Sonic Methodologies in Science and Technology Studies (Joeri Bruyninckx and Alexandra Supper, University of Maastricht, Holland) 11.Nature's Music: Sonic Methodologies in the Study of Environmental Biology (WouterHalfwerk, Vrije Universiteit, Amsterdam, The Netherlands) 12.The Sonic Environment in Urban Planning, Environmental Assessment and Management (A. Lex Brown, Griffith University, Australia) 13.Sonic Methodologies In Medicine (Jos J. Eggermont, University of Calgary, Canada) 14.Soundscape as Methodology in Psycho-Acoustics and Noise Management(AndreFiebigandBrigitte Schulte-Fortkamp, TU, Berlin, Germany) 15.Sonic Methodologies of Sound(SalomeVoegelin, London College of Communication, UK) Section Two: Sound Arts, Musics, Spaces Introduction to Section II: Art - Research - Method (Marcel Cobussen, Leiden University, The Neatherlands) 16. Performing Centrifugal Sound(GDouglas Barrett, Independent Scholar, USA) 17.Ambulatory Sound-making: Re-writing, Re-appropriating, "Presencing" Auditory Spaces (ElenaBiserna, Independent Scholar, France) 18.Directing Listening: Sound Design Methods from Film to Site-responsive Sonic Art (Ben Byrne, RMIT University, Australia) 19.Fragile Devices: Improvisation as an Interdisciplinary Research Methodology (Rebecca Caines, University of Regina, Canada) 20."The Music Comes from Me": Sound as Auto-ethnography (Darla Crispin. Norwegian Academy of Music) 21.Sound Beyond Representation. Experimental?Performance Practices in Music (Lucia D'Errico, Orpheus Institute, Ghent, Belgium) 22.Ecological Sound Art (Jonathan Gilmurray, University of the Arts, London, UK) 23.Melt Me Into the Ocean: Sounds From Submarine Spaces (Yolande Harris, Rhode Island School of Design, USA) 24.Sound, Space, and Pneumatic Valves. Using Pneumatic Valves as Sound Sources to Create Spatial Environments (Edwin van der Heide, Leiden University, The Netherlands) 25.TheOverheard - An Attuning Approach to Sound Art and Design in Public Spaces (Marie Højlund,Jonas R. Kirkegaard, Michael SonneKristensen,Morten Riis, University of Arhus, Denmark) 26.Sound Installations for the Production of Atmosphere as a Limited Field of Sounds (Jordan Lacey, RMIT University, Australia) 27.How to Cut Up a Record? (Paul Nataraj, University of Sussex, UK) 28.Attentive Listening in Lo-fi Soundscapes: Some Notes on the Development of Sound Art Methodologies in Vietnam (Stefan Ostersjo and Nguy?n Thanh Th?y, Lulea University of Technology, Sweden) 29.Sound on Sound: Considerations for the Use of Sonic Methods in Ethnographic Fieldwork inside the Recording Studio (Paul Thompson, Leeds Beckett University, UK) 30.Hydrophonic Fields (Jana Winderen, Sound Artist, interviewed by Stefan Helmreich, MIT, USA) Section Three: Geographies, Politics, Histories 31.Introduction to Section III: Listening as Method (Marcel Cobussen, Leiden University, The Neatherlands) 32.Sound as City Maker: Developing Participatory Collaborative Process to Work With Sound as an Urban Resource. The Case of Mr. Visserplein (Amsterdam, NL)(Edda Bild, Michiel Huijsman, Renate Zentschnig, University of Amsterdam/Soundtrackcity, the Netherlands) 33.Dropping Down Low: Online Soundmaps, Critique, Genealogies, Alternatives (Angus Carlyle, University of the Arts, London, UK) 34.Listening as Methodological Tool: Sounding Soundwalking ?Methods (John L. Drever, Goldsmiths, London, UK) 35.Sounding Wild Spaces: Inclusive Mapmaking Through Multispecies Listening Across Scales (Alice Eldridge, Jonathan Carruthers-Jones, Roger Norum, University of Sussex, UK) 36.The Emergence of Voices in an Indian Bus Stand: An Ethnographic and Acoustic Approach (Christine Guillebaud, University of Paris Ouest, France) 37.Historical Sounds: A Case Study (Aimee Boutin, Florida State University, USA) 38.Sonic Writing(Holger Schulze, University of Copenhagen, Denmark) 39.Close Listening: Approaches to Research on Colonial Sound Archives (Anette Hoffmann, University of Cape Town, South Africa) 40.Sound Design Methodologies: Between Artistic Inspiration and Academic Perspiration (Nicolas Misdariis, IRCAM, Paris, France, and Daniel Hug, ZHDK, Zurich, Switzerland) 41.Podcast Preservation and the Noise of Saved Sounds (Jeremy Wade Morris, University of Wisconsin-Madison, USA) 42.The Earview as a Border Epistemology: An Analytical and Pedagogical Proposition for Design (Pedro J S Vieira de Oliveira, Sound Designer, Germany) 44.Hacking Composition: Dialogues With Musical Machines (Ezra J. Teboul, Independent Artist and Writer, USA) 45.Sonic Feminisms: Doing Gender in Neoliberal Times(Marie Thompson, University of Lincoln, UK) 46.The Sounds of the 2001 Argentine Crises: Soundscapes of Protest, Music, and Sound Art (Violeta Nigro Giunta, EHESS-CRAL, France) 47.Sonifications Sometimes Behave So Strangely (Paul Vickers, Northumbria University, UK) 48.The Conflicting Sounds of Urban Regeneration in Liverpool(Jacqueline Waldock, University of Liverpool, UK) 49.Ethnographies Sounded on What? Methodologies, Sounds, and Experience in Cairo (Vincent Battesti, CNRS, France) 50.Silence of Maua: An Atmospheric Ethnography of Urban Sounds (Jean-Paul Thibaud, CRESSON, France) 51.The Sound System of the State: Listening for Ideology in the Soundscape of Conflict (Tom Tlalim, Indepentant Scholar, UK)