Hong Kong and Bollywood : Globalization of Asian Cinemas (Paperback, Softcover reprint of the original 1st ed. 2016)

1 Situating Hong Kong and Bollywood Cinemas in the Global Satish Kolluri and Joseph Tse-Hei Lee Part I The Politics of Representation and Representation of Politics 2 The Trajectory of Bollywood Lyrics Ali Mir and Raza Mir 3 Transformation of Hong Kong Gangster Films before and after CEPA Kinnia Shuk-Ting Yau 4 Despair and Hope: Political Cinema in Hong Kong Joseph Tse-Hei Lee 5 Chinaman, not Hindustani: Stereotypes and Solidarity in a Hong Kong Film on India S. V. Srinivas 6 1911 : Cinematic Contradictions of Greater China Siu-Keung Cheung Part II: The Crisis of Representation and Representation of Crisis 7 What is so Asian about Asian Parenting? Deconstructing "Tiger Moms" and "Tiger Dads" in Neoliberal Times through Taare Zameen Par and I Not Stupid Satish Kolluri 8 Negotiating Cold War and Post/Colonial Politics: Borders and Boundaries in 1950s Hong Kong Cinema Jing Jing Chang 9 Slum Extravaganza! Cultural and Geopolitical Representation of Dharavi in Celluloid India Sony Jalarajan Raj and Rohini Sreekumar 10 Life without Principle : Financial Irregularities in Hong Kong Siu-Keung Cheung Part III: The Aesthetics of Representation and Representation of Aesthetics 11 Questioning Modernity: Space, Consumption and Loss in Hong Kong New Wave and Bombay Parallel Cinema Surajit Chakravarty 12 Naqal and the Aesthetics of the Copy Anjali Gera Roy 13 Undercranking and Step-printing in Wong Kar-Wai's Filmography Patrick Sullivan 14 Mirrored Alterity: The Imaginary China and the Comedic Self in Chandi Chowk to China Michael A. Mikita 15 Hong Kong, Film, and the Building of China's Soft Power: The Cross-Promotion of Chinese Film on Globally-Oriented State Television Lauren Gorfinkel and Xuezhong Su