The Routledge Research Companion to Modernism in Music (Hardcover)

Introduction Bjorn Heile and Charles Wilson Part I Foundations 1: The Birth of Modernism ? Out of the Spirit of Comedy James R. Currie 2: What Was Contemporary Music? The New, the Modern and the Contemporary in the International Society for Contemporary Music (ISCM) Sarah Collins 3: Institutions, Artworlds, New Music Martin Iddon 4: Modernism and History David J. Code 5: Musical Modernity, the Beautiful and the Sublime Edward Campbell Part II Positions 6: Reactive Modernism J. P. E. Harper-Scott 7: Musical Modernism, Global: Comparative Observations  Bjorn Heile 8: Musical Modernism and Exile: Cliche as Hermeneutic Tool Eva Moreda Rodriguez 9: Modernism: The People’s Music? Robert Adlington 10: Modernism for and of the Masses? On Popular Modernisms Stephen Graham 11: Times Like the Present: De-limiting Music in the Twenty-First Century Charles Wilson 12: The Composer as Communication Theorist M.J. Grant 13: How Does Modernist Music Make You Feel? Between Subjectivity and Affect Trent Leipert Part III Practices 14: Between Modernism and Postmodernism: Structure and Expression in John Adams, Kaija Saariaho and Thomas Ades Alastair Williams 15: Foundations and Fixations: Continuities in British Musical Modernism Arnold Whittall 16: The Balinese Moment in the Montreal New Music Scene as a Regional Modernism Jonathan Goldman 17: Vers une ecriture liminale: Serialism, Spectralism and Ecriture in the Transitional Music of Gerard Grisey Liam Cagney 18: Contemporary Opera and the Failure of Language Amy Bauer 19: ‘Es klang so alt und doch war so neu!’: Modernist Operatic Culture through the Prism of Staging 'Die Meistersinger von Nurnberg' Mark Berry 20: The Modernism of the Mainstream: An Early Twentieth-Century Ideology of Violin Playing Stefan Knapik