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Principles of Vision : General Sociology, Volume 4

Principles of Vision : General Sociology, Volume 4 (Hardcover)

피에르 부르디외 (지은이), Peter Collier (옮긴이)
Polity Press
77,060원

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Principles of Vision : General Sociology, Volume 4
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· 제목 : Principles of Vision : General Sociology, Volume 4 (Hardcover) 
· 분류 : 외국도서 > 인문/사회 > 사회과학 > 사회학
· ISBN : 9781509526710
· 쪽수 : 278쪽
· 출판일 : 2022-07-14

목차

Editorial Note

Acknowledgements



Lecture of 7 March 1985

Inventory – Capital and power over capital – The process of differentiation – Objectivism and perspectivism



Lecture of 14 March 1985

First session (lecture): the elasticity of objective structures - A programme for the social sciences – Reintroducing the point of view  – Reintroducing objective space – A political sociology of perception – The theory effect – Social science and justice.
Second session (seminar): the invention of the modern artist (1) – The programme for future painters – What is at stake in the struggle – A revolution in the principles of vision – Academic artists.



Lecture of 28 March 1985

First session (lecture): going beyond perspectivism and absolutism – Scientific categories and official categories – The struggle over perspectives – Practical logics – Political creation – The theory effect and the master-thinkers.
Second session (seminar): the invention of the modern artist (2) - Perhaps the writers should write about nothing? - The master and the artist – A symbolic revolution – Historical painting – A lector's painting – The de-realization effect.




Lecture of 18 April 1985

First session (lecture): the sociological relation to the social world – A materialist vision of symbolic forms – Perception as system of oppositions and discrimination – Investing in the game of the libidines – The passage from action to discourse on action – The political struggle for the right vision.
Second session (seminar): the invention of the modern artist (3) – Writing the history of a symbolic revolution – The surplus of educated men and the academic crisis – The education system and fields of cultural production – The morphological effects – The effects of the morphological crisis on the academic field.



Lecture of 25 April 1985

First sssion (lecture): thinking the already thought – The liberty and autonomy of a field – A question about symbolic power – The political struggle as struggle for the legitimate vision – Symbolic capital and gnoseological order – The law as the right way to speak of the social world – The verdict of the State in the struggle for identity.
Second session (seminar): the invention of the modern artist (4) – The psychosomatic power of the institution – The symbolic work of the heretic – Collective conversion – The strategies of the heresiarch – A revolution affecting the ensemble of the fields of cultural production.


Lecture of 2 May 1985

First session (lecture): collective bad faith and struggles for definition – Justification of a decision to buy and competing viewpoints – 'Taking apart' and 'putting together' – Subjective manipulations and objective structures – Managing the collective capital of the group – Effects of the corps.
Second session (seminar): the invention of the modern artist (5) – The alliance of painters and writers – The artist's way of life and the invention of pure love – Artistic transgression today and a century ago – The mercenary artist and art for art's sake.



Lecture of 9 May 1985

First session (lecture): certification and social order – The principle and justice of distributions – Private charity and public welfare – The three levels of analysis of a distribution – Where is the State? - Verdicts and the effects of power – The field of certification.
Second session (seminar): the invention of the modern artist (6) – Academic painting as a theological universe – Institutionalizing perspectivism – The invention of the artist as character – The painter-writer couple.



Lecture of 23 May 1985

First session (lecture): Paul Valéry's insights – Amateur and professional – Bureaucracy as a massive fetish – Categorial mediation – Validated perception – Science and the Science of the State.
Second session (seminar): the invention of the modern artist (7): Polycentrism and the invention of institutions – The false antimony of art and the market – The collective judgement of the critics- The three reproaches.



Lecture of 30 May 1985

Providing a theoretical perspective – The Kantian tradition: symbolic forms – The primitive forms of classification – Historical and performative structures – Symbolic systems as structured structures – The Marxist logic – Integrating the cognitive and the political – The division of the labour of symbolic domination – The State and God.



Situating the Third and Later Volumes of General Sociology in the oeuvre of Pierre Bourdieu by Julien Duval

Summary of Lectures of 1984-1985



Notes

Index

저자소개

피에르 부르디외 (지은이)    정보 더보기
1930년 프랑스 남서부의 당갱에서 태어나 뛰어난 학업 성적으로 파리 고등사범학교(ENS)에 입학했다. 25세에 철학 교수자격시험에 합격한 뒤 군 복무를 위해 알제리에 갔다가 식민지 현실과 전쟁의 참상에 큰 충격을 받고 사회학자로 전향했다. 프랑스 학계의 관행을 거부하며 박사 학위를 받지 않았지만, 탁월한 연구 성과를 인정받아 파리 사회과학고등연구원(EHESS)의 교수가 되었다. 1981년에는 프랑스 지식인들의 최고 영예로 꼽히는 콜레주드프랑스 교수(사회학 전공)에 선임되어 2001년 정년퇴임할 때까지 재직했다. 2002년 72세의 나이로 삶을 마감했다. 부르디외의 작업은 사회학을 넘어 철학, 미학, 인류학, 교육학, 경제학, 정치학, 문화연구 등 인문사회과학 전반에 큰 영향을 미쳤다. 그는 또 당대의 사회문제에 적극적으로 발언하고 개입한 실천적 지식인이기도 했다. 대표작으로 『구별짓기』, 『실천감각』, 『실천이성』, 『파스칼적 명상』 등이 있으며, 사후에도 『국가에 대하여』를 비롯한 콜레주드프랑스 강의록과 논문집의 출간이 이어지고 있다.
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