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· 분류 : 외국도서 > 과학/수학/생태 > 과학 > 분광학/광선분석
· ISBN : 9783031143786
· 쪽수 : 493쪽
· 출판일 : 2022-10-14
목차
Chapter 1: Foreword
Chapter 2: Historical Overview
2.1. References
Chapter 3: Theory and Understanding
3.1. History
3.2. The Raman Effect
3.3. Instrumentation
3.4. Understanding and Assignment of Raman Spectral Signatures
3.4.1. Peak Wavenumbers and Assignment
3.4.2. Peak Intensity and Assignment
3.4.3. Molecular and Physical Description of Vibrational Modes
3.4.4. Implication for Spatial Resolution3.4.5. Symmetry and Peak Numbers
3.4.6. Laser Choice and Resonance Effects
3.4.7. Raman Tensors and Polarization
3.4.8. Background subtraction
3.5. Databases; Advantages and drawbacks
3.6. References
Chapter 4: Combination of RS and Other Techniques
4.1. Optical Microscopy and the First RM
4.2. Scanning and Transmission EM
4.3. Castaing Microprobe
4.4. Other Couplings
4.5. References
Chapter 5: Pigments, Dyes and Coloured Agents
5.1. Arts and Colours
5.2. Raman Determination of Coloured Agents
5.3. Coloured Agents , Dyes and Pigments
5.4. From Alchemy to Chemical Industry
5.5. Advantages and Drawbacks of Raman Microscopy
5.5.1. Smalt or Lapis Lazuli ?
5.5.2. Natural or Synthetic Ultramarine
5.5.3. High Detectivity
5.5.4. Elimination of Wrong Conclusions from EA
5.5.5. Identification of Organic Dyes
5.6. Non-destructive and Non-invasive Procedures
5.7. SERS and Associated Techniques
5.8. Data treatment
5.9. Degradation and Conservation
5.10, Dating
5.11 References
Chapter 6: Cultural Heritage Meets Art Forensics
6.1. Introduction
6.2. Case Study 1 : Disappearing Amber
6.3. Case Study 2 : Cat with Enigmatic Smile
6.4. Case Study 3 : Ming Porcelain6.5. Case Study 4 : Analysis Baffles Expert Opinion
6.6. Case Study 5 : Insect Trapped in Amber
6.7. Summary
6.8. References
Chapter 7: Jewellery and Gemstones
7.1. Introduction
7.2. Phase identification and Characterisation
7.3. Provenance Studies
7.4. Distinguishing gems from Glass and Fakes
7.5. Modern Synthetic gems
7.6. Case Studies
7.6.1. Jade
7.6.2. Corals, Pearls, Mother of Pearl
7.6.3. Ivory
7.6.4. Ambers and Natural Resins
7.7. On site Spectroscopy of Gems
7.8. References
Chapter 8: Cave Paintings and Rock Art
8.1. Introduction
8.2. Rock Art and Cave Sites Studied by Raman Spectroscopy
8.3. Information from Raman Spectral Data for Cultural Heritage Preservation
8.4. References
Chapter 9: From Frescoes to Paintings9.1 Efficiency of Raman Microscopy
9.2. Procedures and Artefacts
9.3. Pigments and Dyes
9.4. Examples of Procedures: Measurements at the Laboratory and On-Site
9.5. Colour Fading and Degradation
9.6. Conclusions
9.7. References
Chapter 10 : Analytical Raman Spectroscopy of Manuscripts and Maps : The Role of Inks
10.1. Introduction
10.2. Origin and Composition of Carbon Black and Iron Gall Inks
10.3. Iron Gall Ink and Manuscript Deterioration
10.4. Coloured Inks
10.5. The Deterioration of Ancient Inks
10.6. Case Studies
10.6.1. The Vinland Map
10.6.2. The Beato de Valcavado Manuscript
10.6.3. The Cercelli Gospels and the Gospel of Judas
10.7. Conclusions
10.8 References
Chapter 11 : Patina , Corrosion and Conservation Treatment
11.1. Mechanisms of Corrosion and Patination
11.2. Patinas and Their Raman Signatures
11.3. Stability Towards Corrosion
11.3.1. Iron-Based Artefacts
11.3.2. Stones and Buildings
11.3.3. Glass
11.4. Conservation Treatment
11.5. Perspectives
11.6. References
Chapter 12 : Glass , Pottery , Enamelled Artefacts
12.1. Introduction
12.2. XO4 vibrations and the Raman Signatures Of Crystalline and glassy Silicates
12.2.1. Structure and Raman Signature Relationship12.3. The Different Glass Compositions : A Brief Historical Survey
12.4. Glass Raman Fingerprint and Resonance Raman Effect
12.5. Glass Weathering , Dating and Conservation
12.6. Mobile Raman Spectroscopy
12.7. Multivariate Analysis
12.8. Recognising Technology Milestones : Tracing the Exchanges and Case Studies
12.8.1. Blue and Green Glass Coloured with Lapis Lazuli
12.8.2. Yellow and Green Colours
12.8.3. Trade Glass Beads
12.9 References
Chapter 13 : Archaeology of Biomaterials : Mummies , Ivories, Resins and Textiles
13.1. Introduction
13.2. Archaeological Specimens I : Mummies and Skeletal Remains
13.2.1. Mummified Tissues
13.2.1.1. Tomb of the Two Brothers
13.2.1.2. Otzi, the Alpine Ice-Man
13.2.1.3. The Qilakitsoq and Chiribaya Ice Mummies
13.2.1.4. The Beni Hassan Cat Mummy
13.2.1.5. The Antarctic Emperor Penguin Mummy
13.2.2. Human Skeletal Remains13.2.2.1. The Anglesey Dark Ages Cist Burial
13.2.2.2. Gristhorpe Man
13.2.2.3. A Sambaqui Burial and Ochred Bones
13.2.2.4. A Change of Coffin : Analytical Spectral Information from Hair
13.3. Archaeological Specimens II : Functional or Decorative Items
13.3.1. Ivories
13.3.2. Resins, Gums, Waxes
13.3.2.1. Ambers and Copals
13.3.2.2. Dragon’s Blood
13.3.2.3. Frankincense , Myrrh and Pine Resins
13.3.2.4. Contents of Chests from Marine Excavations
13.4. Textiles
13.4.1. The HMS Victory Sail
13.4.2. Mummy Linens
13.5. Conclusions
13.6. References
Chapter 14 : Raman Spectroscopy and Industrial Archaeology
14.1. Introduction
14.2. The Role of Analytical Chemistry
14.3. Raman Spectroscopy and the Analysis of Industrial Archaeology
14.3.1. Abandoned Mine of a Previously Indeterminate Purpose
14.3.2. Unexpected Hazards in Mines (St Joachimstahl and St Austell )
14.3.3. Nantgarw China Works Waste Pit
14.4. The Use of Portable Raman Spectroscopic Instrumentation
14.5. References
Chapter 15 : Raman Spectroscopic Analysis of a Putative Century Oil Painting Depicting William Shakespeare
15.1. Introduction
15.2. Experimental
15.3. Results of the Raman Spectroscopic Analysis of the Pigments
15.4. Interpretation of the Raman Spectral Data
15.5. Conclusions
15.6. References
Chapter 16 : “Noli Me Tangere” : A renaissance Original ? A Holistic Analytical Spectroscopic Challenge.
16.1. Introduction
16.2. Compositional Study of the Works of Art on a “Noli Me Tangere” Theme
16.2.1. Historical Basis of the Artworks
16.2.2. The Nine Works of Art Comprising this Comparative Study
16.2.3. compositional Details Under Consideration
16.3. Results and Conclusions
16.4. References
Chapter 17 : A Case Study. Raman Spectroscopic Analysis Of Welsh Porcelains17.1. Introduction
17.2. Experimental
17.2.1. Specimens
17.2.2. Spectroscopic Instrumentation
17.2.3. Previous Analytical Work
17.3 . Results and Discussion
17.3.1. Nantgarw and Swansea Porcelains : Statements for Verification
17.3.2. Porcelain Body Chemistry in the Kiln
17.3.3. Nantgarw 200 Porcelain
17.3.4. Raman Spectroscopic Results
17.3.4.1. Summary of Analytical Results on Nantgarw Porcelain Porcelains17.4. References
Chapter 18 : Case Study : In-Field and On-Site Raman Spectroscopic Analysis
18.1. Why On-Site Analysis?
18.2. Instrumental Requirements and On-Site Procedures
18.3. The Role of Optics
18.4. Stand-Off Raman Spectroscopy
18.5. Protection from Ambient Light
18.6. Examples and Perspectives
18.7. References
Chapter 19: Case Study : Non-Invasively Documenting the Transfer of Enamelling Technology form Europe to China and Japan. The role of the Jesuits in the 17th Century19.1. The Quest for Chinese Porcelain
19.2. The Response of European Potters
19.3. The European and Chinese Technologies of Enamelling
19.4. The Jesuit Missions in Japan and China
19.5. The Contribution of Raman Microscopy
19.6. Raman Identification of European Recipes /Ingredients In Chinese Cloisonees and Painted Enamel Wares
19.7. Application to Chinese Productions
19.8. Conclusions and Perspectives
19.9. References
Chapter 20: Case Study : The Shroud of Turin - Iconic Relic or Fake ? The Role of Raman spectroscopic Analysis in its Forensic Appraisal20.1. Introduction
20.2. The Early Scientific Evidence Relating to the Turin Shroud
20.3. Recent Scientific Studies of the Turin Shroud Materials
20.4. Raman Spectroscopy and the Shroud of Turin
20.5. References
Chapter 21: Case Study : A Unique Rockingham English Porcelain Table . A Holistic Forensic Analysis.
21.1. The Rockingham Porcelain Manufactory
21.2. Analyses of Rockingham Porcelain
21.3. Raman Spectroscopic Analysis of the Porcelain Table Top21.3.1. Background History of Wentworth Castle
21.4. Conclusions
21.5. References
Chapter 22: A Little Knowledge is Dangerous Thing. A Miscellany of Faux-Pas in the Cultural Heritage Of Literature
22.1. Preface
22.2. Introduction
22.3. Classical Literature in Cultural Heritage
22.3.1. Wilkie Collins ? Armadale
22.3.1.1. Literary Background
22.3.2. Charles Dickens - A Tale of Two Cities
22.3.3. Ross King ? Ex-Libris
22.3.4. Anthony Horowitz ? The house of Silk . The New Sherlock Holmes Novel.
22.3.5. Agatha Christie ? Various Novels
22.4. References
Chapter 23: Raman Analysis: What is Straightforward, What is Difficult and Future Perspectives.
Glossary
List of Acronyms
Index
