Young Audiences, Theatre and the Cultural Conversation (Hardcover)

Foreword.- Acknowledgments.- Part I TheatreSpace Project Partners and Case Studies.- Chapter 1: Introduction by John O'Toole. Interlude: The TheatreSpace Case Studies 1 and 2 The Importance of Being Earnest - Queensland Theatre Company, Anatomy Titus: Fall of Rome - Bell Shakespeare , Sydney.- Chapter 2: The Project, its Partners and its Purposes by Michael Anderson and Josephine Fleming.- Interlude: The TheatreSpace Case Studies 3 and 4, Yibiyung - The Malthouse Theatre, Melbourne, Fake Porno - Brisbane Powerhouse.- Chapter 3: Access and the Practicalities of Attendance by Christine Sinclair.- Interlude: The TheatreSpace Case Studies 5 and 6, The Removalists - Sydney Theatre Company, Goodbye Vaudeville Charlie Mudd - Arena Theatre, Melbourne.- Chapter 4: The Context of the Performance Event by Madonna Stinson.- Interlude: The TheatreSpace Case Studies 7 and 8, The Shape of a Girl - Sydney Opera House, The Shape of a Girl - The Arts Centre, Melbourne.- Chapter 5: The Education Landscape by Kate Donelan with Richard Sallis.- Interlude: The TheatreSpace Case Studies 9 and 10, God of Carnage - Melbourne Theatre Company, The True Story of Butterfish - Brisbane Powerhouse.- Chapter 6: Young Audiences from the Educators' Perspective by Robyn Ewing, Josephine Fleming, Bruce Burton and Madonna Stinson.- Interlude: The TheatreSpace Case Studies 11 and 12, Up Jumped the Devil - Queensland Performing Arts Centre, World Theatre Festival - Brisbane Powerhouse.- Chapter 7: The Industry Partners' Perceptions by Josephine Fleming, Robyn Ewing and John Hughes.- Interlude: The TheatreSpace Case Studies 13 and 14, The Beauty Queen of Leenane - Sydney Theatre Company, King Lear - Bell Shakespeare, Sydney.- Chapter 8: Engagement and Liveness by Penny Bundy.- Interlude: The TheatreSpace Case Studies 15 and 16, Moth - Arena Theatre, Melbourne, The Threepenny Opera - The Malthouse Theatre , Melbourne.- Chapter 9: Building Theatre Confidence by Christine Sinclair and Ricci-Jane Adams.- Interlude: The TheatreSpace Case Studies 17 and 18, Fat Pig - Queensland Theatre Company, Moth - Sydney Opera House.- Chapter 10: Theatre Literacy by Bruce Burton , Penny Bundy and Robyn Ewing.- Interlude: The TheatreSpace Case Studies 19 and 20, Dead Man's Cell Phone - Melbourne Theatre Company, The Kind of Ruckus - The Arts Centre, Melbourne.- Chapter 11: 'It's Real' - Genre and Performance Style by Angela O'Brien.- Interlude: The TheatreSpace Case Study 21, Wicked - Queensland Performing Arts Centre.- Chapter 12: Conclusion - a Continuum for Planning by C hristine Sinclair, Ricci-Jane Adams and John O'Toole