The Extended Theory of Cognitive Creativity: Interdisciplinary Approaches to Performativity (Paperback, 2020)

Introduction.- Dimensions of the bodily creativity. For an extended theory of performativity;   Antonio Pennisi.- Part I: Embodied, enactivist, philosophical approaches.- Mindful performance; Shaun Gallagher.- A radical enactivist approach to social cognition; Claudio Paolucci.- On the nature of bodies. With the help of Aristotle; Franco Lo Piparo.- The silent work of speech. On an Enactive grammar’s insight; Francesco La Mantia.- Part II: Extended theory approaches.- Collective Action in the Wild; Mathew D. McCubbins, Mark Turner.- Moderate mindreading priority; Pietro Perconti.- Performativity and the Spread Mind: The Case of Color Afterimages; Riccardo Manzotti.- Performativity and the ideological construction of the self. The age of narcissism and (possibly) beyond; Marco Mazzone.- Part III: Aesthetics approaches.- A bodily take on Aesthetics: Performativity and Embodied Simulation; Vittorio Gallese.- Imagination, Performativity, Technics. A (Post)Kantian Approach; Pietro Montani.- Implications of Creativity: A New Experiential Paradigm for an Aesthetics of the Extended Mind? Giovanni Matteucci.- A Short Survey on Oral Poetry as Ritual Performance. The Sicilian Cunto as Case Study; Dario Tomasello.- Part IV: Naturalistic and evolutionary approaches.- Biological individuality ? a complex pattern of distributed uniqueness; Alessandro Minelli.- Aspects of the debate on animal communication. Amongst (zoo) semiotic and cognitive ethology; Stefano Gensini.- Language evolution: from function to performativity; Alessandra Falzone.- The contribution of biolinguistics to the debate of performativity; Laura Giallongo.- Media, ecologies and performance within socio-political dynamics. A sociological perspective; Rolando Marini.- Part V: Neuroscientific approaches.- It doesn’t seem_it, but it is. a neurofilmological approach to the subjective experience of moving-image time; Ruggero Eugeni, Stefania Balzarotti, Federica Cavaletti, Adriano D’Aloia.- Neuromodulation and neural circuit performativity: adequacy conditions for their computational modelling; Guglielmo Tamburrini, Roberto Prevete.- Neural Representations in Context; Alessio Plebe, Vivian De La Cruz.- Part VI: Linguistics approaches.- First person implicit indirect reports; Alessandro Capone.- Performance of understanding. Pragmatics and Fast and Frugal heuristics; Marco Carapezza.- Happiness and unhappiness of performative acts: acquisition of L2 and psychopathological behaviors; Paola Pennisi.- Interpreting irony meaning: towards a new psycholinguistic model of ironic language comprehension; Caterina Scianna.