Reductionism in Art and Brain Science: Bridging the Two Cultures (Paperback)

Part I: Two Cultures Meet in the New York School
Introduction
1. The Emergence of an Abstract School of Art in New York
Part II: A Reductionist Approach to Brain Science
2. The Beginning of a Scientific Approach to the Perception of Art
3. The Biology of the Beholder's Share: Visual Perception and Bottom-Up Processing in Art
4. The Biology of Learning and Memory: Top-Down Processing in Art
Part III: A Reductionist Approach to Art
5. Reductionism in the Emergence of Abstract Art
6. Mondrian and the Radical Reduction of the Figurative Image
7. The New York School of Painters
8. How the Brain Processes and Perceives Abstract Images
9. From Figuration to Color Abstraction
10. Color and the Brain
11. A Focus on Light
12. A Reductionist Influence on Figuration
Part IV: The Emerging Dialogue Between Abstract Art and Science
13. Why Is Reductionism Successful in Art?
14. A Return to the Two Cultures
Acknowledgments
Notes
References
Illustration Credits
Index