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· 제목 : Essays on Music (Hardcover) (Theodor W. Adorno ; Selected, With Introduction, Commentary, and Notes by Richard Leppert ; New Translations by Susan H. Gillespie)
· 분류 : 외국도서 > 예술/대중문화 > 음악 > 음악소개/연구 > 이론
· ISBN : 9780520226722
· 쪽수 : 760쪽
· 출판일 : 2002-08-08
· 분류 : 외국도서 > 예술/대중문화 > 음악 > 음악소개/연구 > 이론
· ISBN : 9780520226722
· 쪽수 : 760쪽
· 출판일 : 2002-08-08
목차
Preface and Acknowledgments
Translator's Note
Abbreviations
Introduction (by Richard Leppert)
1. LOCATING MUSIC: SOCIETY, MODERNITY, AND THE NEW
Commentary (by Richard Leppert)
Music, Language, and Composition (1956)
Why Is the New Art So Hard to Understand? (1931)
On the Contemporary Relationship of Philosophy and Music (1953)
On the Problem of Musical Analysis
The Aging of the New Music (1955)
The Dialectical Composer (1934)
2. CULTURE, TECHNOLOGY, AND LISTENING
Commentary (by Richard Leppert)
The Radio Symphony (1941)
The Curves of the Neddle (1927/1965)
The Form of the Phonograph Record
Opera and the Long-Playing Record (1969)
On the Fetish-Character in Music and the Regression of Listening (1938)
Little Heresy (1965)
3. MUSIC AND MASS CULTURE
Commentary (by Richard Leppert)
What National Socialism Has Done to the Arts (1945)
On the Social Situation of Music (1932)
On Popular Music [With the assistance of George Simpson] (1941)
On Jazz (1936)
Farewell to Jazz (1933)
Kitsch (c. 1932)
Music in the Background (c. 1934)
4. COMPOSITION, COMPOSERS, AND WORKS
Commentary (by Richard Leppert)
Late Style in Beethoven (1937)
Alienated Masterpiece: The Missa Solemnis (1959)
Wagner's Relevance for Today (1963)
Mahler Today (1930)
Marginalia on Mahler (1936)
The Opera Wozzeck (1929)
Toward an Understanding of Schoenberg (1955/1967)
Difficulties (1964, 1966)
Bibliography
Source and Copyright Acknowledgments
Index
Translator's Note
Abbreviations
Introduction (by Richard Leppert)
1. LOCATING MUSIC: SOCIETY, MODERNITY, AND THE NEW
Commentary (by Richard Leppert)
Music, Language, and Composition (1956)
Why Is the New Art So Hard to Understand? (1931)
On the Contemporary Relationship of Philosophy and Music (1953)
On the Problem of Musical Analysis
The Aging of the New Music (1955)
The Dialectical Composer (1934)
2. CULTURE, TECHNOLOGY, AND LISTENING
Commentary (by Richard Leppert)
The Radio Symphony (1941)
The Curves of the Neddle (1927/1965)
The Form of the Phonograph Record
Opera and the Long-Playing Record (1969)
On the Fetish-Character in Music and the Regression of Listening (1938)
Little Heresy (1965)
3. MUSIC AND MASS CULTURE
Commentary (by Richard Leppert)
What National Socialism Has Done to the Arts (1945)
On the Social Situation of Music (1932)
On Popular Music [With the assistance of George Simpson] (1941)
On Jazz (1936)
Farewell to Jazz (1933)
Kitsch (c. 1932)
Music in the Background (c. 1934)
4. COMPOSITION, COMPOSERS, AND WORKS
Commentary (by Richard Leppert)
Late Style in Beethoven (1937)
Alienated Masterpiece: The Missa Solemnis (1959)
Wagner's Relevance for Today (1963)
Mahler Today (1930)
Marginalia on Mahler (1936)
The Opera Wozzeck (1929)
Toward an Understanding of Schoenberg (1955/1967)
Difficulties (1964, 1966)
Bibliography
Source and Copyright Acknowledgments
Index
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