Harmony

Preface
Acknowledgments
Contents

Part I Basics for Harmony
Chapter 1 Interval
Chapter 2 Scale
Chapter 3 Key
Chapter 4 Triad
Chapter 5 Principle of Voice-Leading

Part II Diatonic Harmony
Chapter 6 Primary Triad
Chapter 7 A. Sixth Chord of the Primary Triad
B. Six-Four Chord of the Primary Triad
Chapter 8 Secondary Triad
Chapter 9 Principle of Harmonic Progression
Chapter 10 Dominant Seventh Chord
Chapter 11 Secondary Seventh Chord
Chapter 12 The Leading-Tone Seventh Chord
A. Half-Diminished Seventh Chord
B. Full-Diminished Seventh Chord
Chapter 13 Non-harmonic Tone
A. Passing Tone, Auxiliary Tone, Escape, Tone, Anticipation, and Pedal Point
B. Suspension and Appoggiatura
Chapter 14 Dominant Ninth, Dominant Eleventh, and Dominant Thirteenth Chord
Chapter 15 Cadence
Chapter 16 Diatonic Modulation

Part III Chromatic Chord
Chapter 17 Secondary Dominant Chord
Chapter 18 Variant Chord
A. Borrowed Chord in Major Scale
B. Borrowed Chord in Minor Scale
C. The Neapolitan Sixth Chord
Chapter 19 Augmented Sixth Chord
Chapter 20 A. Augmented Dominant Chord 426
B. Other Altered Chord
Chapter 21 Chromatic Modulation

Part IV Developmental Mechanics on Traditional Harmony
Chapter 22 Broken Chord and Arpeggio
Chapter 23 Pedal
Chapter 24 Bourdon and Ground Bass
Chapter 25 Parallel-Motion Harmony and Contrary-Motion Harmony
Chapter 26 Sequence
Chapter 27 Repetitions and Expansions of Harmony
Chapter 28 Thorough bass