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Hwahye : Korean Traditional Shoes

Hwahye : Korean Traditional Shoes

(<한눈에 보는 화혜> 영문)

장경희 (지은이)
(재)한국공예.디자인문화진흥원
16,000원

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Hwahye : Korean Traditional Shoes
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책 정보

· 제목 : Hwahye : Korean Traditional Shoes (<한눈에 보는 화혜> 영문)
· 분류 : 국내도서 > 예술/대중문화 > 디자인/공예 > 공예/도자
· ISBN : 9791189321260
· 쪽수 : 160쪽
· 출판일 : 2020-04-15

책 소개

우리공예 디자인리소스북 시리즈 17권. 우리의 전통 공예인 화혜에 대한 전반적인 내용을 담고 있다. ‘신발의 정의와 역사’, ‘그림으로 본 우리나라 신발’에서부터 ‘흑혜의 제작과정’ ‘전통 신발의 재탄생’에 이르기까지 다양한 주제를 통해, 독자들이 쉽게 이해할 수 있도록 구성하였다.

목차

Contents
Chapter 1 About Hwahye
Classification of Hwahye 14
Structure and Details of Hwahye 18
Types of Hwahye 22
History of Hwahye 58

Chapter 2 A Close Look at Hwahye
A Story of Kkotsin 70
Korean Shoes Depicted in Art 74
Shoes of Popular Desire 80
Seasonal Korean Shoes 86

Chapter 3 Crafting Hwahye
Hwahye Craftsmen 92
Materials and Tools for Making Hwahye 99
Process of Crafting Heukhye 104

Chapter 4 Enjoying Hwahye
A Tradition Reborn 128
Hwahye with Soul 138

Appendix
Craft & Design Map 150
List of Masters 152
List of Illustrations 153
Bibliography 156
Advisors and Advisory Institutions 158
Index 159

저자소개

장경희 (지은이)    정보 더보기
1960년 서울에서 태어나 홍익대학교 미술대학 공예과를 나오고, 같은 대학원 미술사학과 석박사과정을 마치고, 1999년 「조선왕조 왕실가례용 공예품 연구」로 박사학위를 받았다. 이후 문화재청과 국림문화재연구소의 상근전문위원으로 근무하면서 종묘제례를 유네스코 세계무형유산으로 등재하는 일을 하면서 「朝鮮後期 凶禮‘都監’의 匠人硏究」를 비롯하여 2001년 「조선후기 왕실의 옥공예 장인 연구」를 썼다. 2003년부터 한서대학교에서 근무하면서 조선 왕릉의 정자각과 석의물 등을 제작한 장인을 밝힌 「朝鮮後期 山陵都監의 匠人硏究」(2007)은 한국연구재단의 우수학술논문으로 선정되었다. 곧이어 북한과 교류를 통해 『고려왕릉』(2008)을 발간하면서 북한의 개성에 있는 신의왕후 제릉이나 정종 후릉 및 함흥 등지의 북도 팔릉에 대한 성과를 냈다. 조선왕실의 국장이나 왕릉 및 종묘에 필요한 의장의물을 제작한 각종 장인을 연구하여 『조선왕실의 궁릉의물 연구』(2013)을 썼고, 규장각과 장서각 등에 소장되어 있는 의궤에 기록된 장인을 정리한 『의궤 속 조선의 장인』은 인천문화재단의 2013년 우현학술상을 수상하기도 하였다. 이후에도 『조선왕릉』(2019), 『국장과 왕릉』(2022), 『중국황제릉』(2023) 등을 꾸준히 책자로 발간하고 논문을 발표하고 있다. 현재, 한서대학교 문화재보존학과 교수이자 한국전통문화연구소 소장이다. 국사편찬위원이며, 문화관광부의 영정초상위원, 문화재청 문화재위원을 거쳐 현재 수리기술위원이자 무형문화재전문위원이며, 충청남도, 대전광역시 및 세종특별자치시 문화재위원이다.
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책속에서

It is said that a good pair of shoes completes the look, be it formal attire or otherwise. And just as dress shoes go well with suits, one should also put on appropriate footwear when wearing hanbok, or Korean traditional clothing. this case, what kind of traditional Korean shoes are there? Who is going to put on these shoes, when, and why? Who makes these shoes and what are they made of? These questions triggered my interest in writing this book. I sincerely hope it helps to answer these questions. a plethora of research has been conducted on Korean clothing, it is hard to find much on Korean shoes. There are some books and papers regarding various footwear, but it is not easy for the general public to understand them because they are often cited with difficult-to-read Chinese characters. Similarly, there are hardly any good archaeological papers out there that delve into shoe artifacts. Occasionally, museums will produce catalogues introducing only the shoes in their own collections, and from time to time, a Hwahyejang holder of a National, Provincial, or Municipal title of Intangible Cultural Heritage will publish a book on their own techniques for crafting traditional shoes. purpose of this book, then, is to summarize the existing research on hwahye. The book also intends to emphasize the characteristics and strengths of this resource series as planned and published by the Korea Craft & Design Foundation. We aim to provide readers with references and visual materials in relation to Korean traditional shoes with simple descriptions and sophisticated designs at a glance.

- Writers. Kyunghee Jang


Since ancient times, it has been said that shoes complete the look. Our ancestors considered putting on neat outfits to be proper manners. They wore clothes, put on a hat, and paired their shoes with their outfit. Choosing a good pair of shoes not only completed the look but also showed the wearer's sense of style. put on clothes to cover, protect, and decorate their bodies. Likewise, they chose footwear that protected their feet and represented their social status. The history of shoes is as long as that of clothes, and in Korea shoes have been crafted and worn from very early times.
There are many different materials for making shoes, and the material dictates their name and style. Therefore, before discussing shoes, we need to know what they are called. Names of Korean traditional shoes are often written in Chinese characters and classified into three categories, depending on the height of the shoe. This classification is known as hwa-hye-ri (靴鞋履). High-top shoes or boots rising over the ankles are called hwa 靴. Shoes that do not cover the ankle are called hye 鞋. Shoes made from plaited plants, such as jipsin and mituri, are called ri 履.


When did you start making hwahye?
My grandfather supplied heukhye, the final touch to any government official's outfit, to the government office in Hapcheon, Gyeongsangnam-do province, at the end of Joseon period. Afterward, my father inherited the family business and dedicated his life to crafting traditional shoes. This is why I was able to learn shoemaking techniques over his shoulder while running errands. I got involved when I was twelve years old and naturally started making shoes in earnest when I was nineteen.

What makes hwahye appealing?
Hwahye are not only our tradition but also an art itself. When you quietly sit and look at the shoes, you can feel the subtle, natural beauty and warmth from the curves and colors. It is an antique elegance and beauty. The up-turned toe is like a sail boat, flickering an artistically beautiful line. Unlike Western shoes, two pieces of the shoes are identical, the left and right are the same. Our ancestors essentially broke into the shoes to get the perfect fit. These customizable shoes are a perfect example of people's wisdom. In a sense, hwahye deliver the history and wisdom of life as an invaluable legacy and treasure.

You have upheld traditional shoemaking methods. How are hwahye created?
Because these traditional methods represent our cultural roots, I have stuck with them despite living in a high-tech society. That is the only way we preserve the beauty and feel of our traditions. Each pair of shoes is unique and we do everything manually, sewing stitch by stitch. Glue should be made of rice starch or cowhide. I have to make holes using a gimlet in the thick and tough cowhide sole and sew it onto the upper of the shoe. As this process must be done while the glue is still sticky, the craftsman must work on the stitch for two uninterrupted hours. The shoe sizes are slightly adjusted with the singol, or wooden shoe mold. These are usually made from pear, cherry, or mulberry wood. To shape a shoe, the craftsman needs to pound the shoe over the mold more than 500 times using a wood hammer. The whole process is quite complex, from the preparation of natural materials to the repeated processes of unaffected drying. This process should be repeated many times and every step must be done manually. Therefore, it takes about two weeks to a month to complete all the procedures for making a single pair of shoes.

interview [Hwahye, the simple beauty of Korean tradition ]


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