[큰글씨책] 히메네스 시선

≪서정의 노래(Rimas)≫ (1898∼1902)
머무름의 깊은 곳에 ··················3
사춘기 ·······················5
백합과 태양 ·····················7
5월의 환희 ·····················8
이별의 대화 ·····················9
소녀의 죽음 ····················11
여인과 장미 ····················13
그 생애 스무 송이 장미 ················14
죽음의 미소 ····················15
입술에 대한 향수(鄕愁) ···············17
잠자는 숲 ·····················18
지친 영혼 ·····················21

≪탄생(Anunciaci?n)≫ (1898∼1900)
흰 암벽들 ·····················25

≪슬픈 아리아(Arias tristes)≫ (1902∼1903)
권태 ························29
별도 새도 날아가 버린 하늘 ··············31
비 그친 하늘 ····················33
달이 뜬 도시 ····················34
시인 ························36
목동 ························38
아침 햇살 ·····················40

≪먼 정원(Jardines lejanos)≫ (1903∼1904)
꽃의 계절 ·····················43

≪목가시(Pastorales)≫ (1903∼1905)
태양이 나뭇잎을 금빛으로 물들이리라 ·········47
안개 속에서 ····················49

≪망각(Olvidanzas)≫ (1906∼1907)
10월의 정원 ····················53

≪봄의 발라드(Baladas de primavera)≫ (1907)
밤의 노래 ·····················57
4월 ························58
첫사랑 여인에 대한 슬픈 발라드 ············60
세 번의 입맞춤에 대한 슬픈 발라드 ··········62

≪비가(悲歌, Eleg?as)≫ (1907∼1908)
말 탄 시인 ·····················67
일몰 ························69

≪소리 나는 고독(La soledad sonora)≫ (1908)
소리 나는 고독 ···················73

≪짧은 노래(Arte Menor)≫ (1909)
그늘진 음악 ····················77

≪미로(Laberinto)≫ (1910∼1911)
태양과 달처럼, 희고 동시에 금발인 나이팅게일에게 ···83
장미 나무 사이로 여름은 가고 ·············85

≪전원시(Poemas Agrestes)≫ (1910∼1911)
아름다운 것 ····················89
새벽 ························90
마지막 여행 ····················92

≪일요일(Domingos)≫ (1911∼1912)
그중 여덟 번째 시 ··················97

≪순수(Pureza)≫ (1912)
동틀 무렵 ·····················101
가을의 순수 ····················102
마을 ·······················104

≪금의 침묵(El silencio de oro)≫ (1911∼1913)
거대한 시간 ····················109

≪영적 소네트(Sonetos espirituales)≫ (1914∼1915)
10월 ·······················113

≪신혼(新婚) 시인의 일기(Diario de un poeta reci?n casado)≫ (1916)
모노톤 ······················117
하늘 ·······················119
밤 풍경 ······················120

≪영원한 것들(Eternidades)≫ (1916∼1917)
너와 나 ······················125
물웅덩이 ·····················126
우주 ·······················127
노래 ·······················128
참회 ·······················129

≪돌과 하늘(Piedra y cielo)≫ (1917∼1918)
시 1번 ······················133
시 2번 ······················134

≪아름다움(Belleza)≫ (1917∼1923)
어머니 ······················137
사랑 ·······················138

≪완전한 계절(La estaci?n total)≫ (1923∼1936)
제2의 조물주 ···················143
나 다시 태어나면 ··················144

≪바다 저쪽에는(En el otro costado)≫ (1936∼1942)
마지막 아이 ····················149

≪욕망받는 신과 욕망하는 신(Dios deseado y deseante)≫ (1949)
이름들로부터 얻어진 이름 ··············153
우리의 자연스런 움직임에 대해서 ··········155
사랑으로 채우기 ··················157

≪내면적 동물(Animal de fondo)≫ (1949)
완전한 의식 ····················161

≪벌거벗은 시(La obra desnuda)≫ (1918∼1953)
미래의 책 ·····················165

≪떠나가는 강들(R?os que se van)≫ (1951∼1953)
네 영혼의 색깔 ···················169
오직 너 ······················170
콘서트 ······················171

≪회상(In Memoriam)≫ (유고 시 모음)
죽음 1 ······················175
죽음 2 ······················176
죽음 3 ······················177

해설 ·······················179
지은이에 대해 ···················197
지은이 연보 ····················201
작품 연보 ·····················204
옮긴이에 대해 ···················207

가슴속에는 얼음 같은
마음을 가지고 있으면서
왜 다른 이의 시선과 미소와
입맞춤을 그리워하는지…

다정했던 배[船]도 강을
건너지 못하고, 달콤하고 평온했던
풍경조차 안개와 환상을 싣고
사라져 가고 있다.

오늘 밤 하늘 아래는
달도 별도 뜨지 않겠지,
지금 평원은 겨울의 혹독함으로
잠들어 있다.

안개 속에서 물은 돌에게
자신의 오래된 노래의 고통을 보여 준다.
덩굴 속에서 개똥벌레는
초록빛 비상과 은빛 비상을 꿈꾼다.

하늘을 향해 오르며 가지 사이로
별들의 향기를 머금은 재스민.
안개일까, 우물일까, 하늘일까?
그것은 낭만적인 달에 유혹된
어떤 나이팅게일… 푸른
목소리… 달에게 말을 건네는
새의 마술적 비상…

조금 전,
마술처럼 새까맣던 세계는
달, 태양으로
혹은 별로 변한다.

이제 우리를 취하게 할
최초의 장미가 다가온다.

그때 돌연히
빛이 다른 빛으로 얼룩지고,
한 떼의 새가 지나간다.