Look, I'm a fountain of filth raving mad with love

1989년 『현대시학』을 통해 작품 활동을 시작했다. 시집 『트렁크』 『말라죽은 앵두나무 아래 잠자는 저 여자』 『뜻밖의 대답』 『요즘 우울하십니까?』 『보고 싶은 오빠』 『GG』 『호랑말코』 등이 있다. 박인환문학상, 이상시문학상, 시와사상문학상, 청마문학상, 오장환문학상 등을 수상했다. Kim Eon Hee (b. 1953) was born in Jinju, South Korea. She is known for constructing a provocative, obscene, yet highly playful and inventive poetic world that is uniquely her own. A prominent figure in Korean avant-garde poetry, her work is often distinguished by an explosive use of language, violent imagery, and transgressive motifs. Kim 's first poetry collection Trunk was published in 1995. She has since published seven collections, including the most recent work Horangmalko (2024) as well as GG (2020), The Man I Miss (2016) and Have you Been Feeling Blue These Days? (2011), the latter of which was translated into English (Noemi Press, 2019).

조각가. 조각의 물질성과 운동성을 통해 인간의 원초적 욕망과 정동, 폭력과 에로티시즘의 에너지를 탐구한다. 개인전 캐리어즈(Carriers) (아트선재센터, 서울, 2020), Black Sun (뉴 뮤지엄, 뉴욕, 2023)을 열었고, 제59회 베니스비엔날레 본전시(2022), 제15회 리옹비엔날레(2020) 등에 참여했다. Lee Mire (b. 1988) was born in Seoul, South Korea. She is recognized for her sculptures and environments that create visceral, sensory experiences. Her work frequently incorporates kinetic elements and combines machinery with traditional sculptural materials and industrial or construction components. Lee 's solo exhibitions include Mire Lee: Open Wound (2024), the Hyundai Turbine Hall Commission at Tate Modern, London; Black Sun (2023) at the New Museum, New York; Look, I'm a fountain of filth raving mad with love (2022) at ZOLLAMT MMK; and Carriers (2020) at Art Sonje Center, Seoul, among others.