공감과 공간

PROLOGUE ··········································· 5

I. 지역과 문화 그리고 공간 _ 13
1. 지역의 개념 ···················································· 15
2. 지역의 분류 ······································································ 17
3. 지역문화 ············································ 31
4. 문화자원 ······················································· 35
5. 문화재, 문화유산, 문화콘텐츠, 문화산업 ···························· 39

II. 문화지리와 환경 _ 47
1. 문화지리 ······························································ 49
2. 문화와 생태환경 ······································ 53
3. 아시아의 문화지리: 풍수 ······················································· 55

III. 도시화 _ 57
1. 도시화의 유형 ····························································· 61
2. 다양한 도시 형태 ·························································· 65
3. 도시경관 ············································································· 81

IV. 도시재생 _ 85
1. 개념과 전략 ······································································ 87
2. 젠트리피케이션(gentrication) ························································· 91
3. 도시재개발, 재건축, 리모델링 ·········································· 93

V. 지역개발과 정책 _ 97
1. 지역개발의 정의 ······················································································ 99
2. 지역개발의 발전전략 ·································································· 103
3. 지역개발과 지역사회개발, 지역경제개발, 사회개발, 농촌개발 비교 ·········· 109
4. 지역과 문화기획 ························································ 113

VI. 지역문화자원개발의 유형 _ 117
1. 슬로시티(slow city) ···························································· 119
2. 에코뮤지엄(ecomuseum) ·············································· 121
3. 문학관광 ······································································· 125
4. 다크 투어리즘(dark tourism) ··················································· 129
5. LQC(좀 더 가볍게 빠르게 값싸게) ········································· 131
6. 로컬푸드(local food) ······························································ 135
7. 송 에 뤼미에르(son et lumiere) ······················································· 139
8. 지역과 문화정책 ······························································· 141

VII. 국내외 지역문화자원 활용 사례 _ 151
1. 역사문화자원 ··························································· 153
2. 유휴 산업유산 ·········································································· 163
3. 도시재생 ················································································· 171
4. 마을공동체 ·············································································· 185
5. 길 ··································································· 193
6. 축제 ········································································· 203
7. 이주공동체 ···································································· 213
8. 유럽의 에코뮤지엄 ························································· 221
9. 작가의 고향 ················································································· 229
10. 컨벤션 산업 ················································································· 237
11. 커뮤니티 키친(community kitchen) ····································· 243
12. 경관식물 ················································································· 249
13. 미국 디트로이트 LQC 모델 ··················· 253
14. 공연 ······································································ 257
15. 인물자원 ··········································································· 263
16. 예술산업 ······························································ 269

참고문헌 ·················································· 279

20세기 초반까지 문화는 정신적이며 관념적인 용어로서 주로 예술에 국한되는 개념이었고 이로 인해 인간이 수정하거나 재화화하는 것에 대한 반감이 존재하였기 때문에 '문화기획'이란 용어는 비교적 늦게 1960년대 유럽에서 사용되기 시작하였다.
1970년대 유럽의 대도시와 중소도시는 경제적, 인구학적인 변화에 직면하게 되었고 급속한 산업구조의 변화로 쇠락하는 도시들이 생겨나면서 도시재생전략의 일환으로 문화기획에 대한 관심이 높아지게 되었다. 문화와 문화 활동을 인간과 커뮤니티 발전의 원동력으로 이해하려는 움직임이 자연스럽게 생겨나게 된 것이다. 현재 전 세계 커뮤니티들은 활발한 문화기획을 통해 문화발전을 도모하고 있다.
문화기획은 지자체가 문화자원을 발굴하여 지역사회의 발전을 성취하는 데 어떤 방식으로 도움을 줄 수 있을지 전략적으로 도움을 주는 포괄적인 커뮤니티 컨설팅 및 결정의 과정이다. 문화기획 과정에서 커뮤니티의 문화자원을 지자체의 다양한 활동으로 통합하는 직·간접적인 접근을 모두 포함한다. 특히 지역기반의 문화기획은 커뮤니티의 모든 문화자원 및 문화 활동을 커뮤니티의 자산으로 간주하고 이 자산들이 커뮤니티에 가져오는 다양한 혜택을 고려한다. 문화를 유럽 중심의 고급문화에 국한하기보다는 포괄적으로 이해함으로써 지역에 산재하고 있는 유 "E 무형 생활문화자원을 비롯한 지역문화자원의 활용을 활성화한다.