현대시의 구조 (보급판)

해설 ·······················9
지은이에 대해 ··················19


제1판 서문 ····················23
제9판 서문 ····················28

제1장 전망과 회고
현대시에 대한 전망: 불협화와 비규범성 ······31
부정의 범주들 ·················35
18세기의 이론적 서곡: 루소와 디드로, 노발리스, 그리고 프랑스 낭만주의 ················39

제2장 보들레르
현대성의 시인 ·················43
탈개성화 ···················44
집중과 형식 의식: 시와 수학 ···········47
종말론과 현대성 ················50
추(醜)의 미학 ·················53
붕괴된 기독교 ·················55
공허한 이상성 ·················58
언어 마술 ···················60
창작적 상상력 ·················64
해체와 데포르마시옹 ··············66
추상과 아라베스크 ···············69

제3장 랭보
서론 ·····················71
방향 상실 ···················73
견자(見者)의 편지: 공허한 초월, 비규범성의 추구, 불협화의 ‘음악’ ···················74
전통과의 단절 ·················78
현대성과 도회시 ················79
기독교 유산의 강요에 대한 저항: ≪지옥에서 보낸 한 철≫ ························81
인공적 자아: 탈인간화 ·············84
<취한 배> ··················86파괴된 현실성 ·················88
추화(醜化) ··················90
전제적 상상력 ·················91
<일뤼미나시옹> ···············93
독백시 ····················95
최종적 평가 ··················97

제4장 말라르메
서론 ·····················99
문체 전개 ··················102
탈인간화 ···················104
저항, 작업, 그리고 유희로서의 시 ········107
무(無)와 형식 ·················110
진술되지 않은 것에 대해 진술함 ·········111
침묵으로의 근접 ···············114
이해 불가능한 암시적인 시 ···········115
존재론적 도식?무와 언어 ···········118
비의(秘儀)주의, 마술과 언어 마술 ········121
전제적 상상력, 추상과 ‘절대 시선’ ········124
언어와 더불어 홀로 있음 ············126

제5장 20세기의 유럽 시
방법에 대한 고찰 ···············128
‘지성의 제전(祭典)’과 ‘지성의 몰락’ ·······131
20세기의 스페인 시 ··············133
시에 대한 두 성찰: 아폴리네르와 가르시아 로르카 ·135
디오니소스에서 아폴로로 ···········138
현대성과 그 문학적 유산에 대한 두 가지 입장 ···142
탈인간화 ···················144
고립화와 불안 ················146
언어 마술과 암시 ···············149
폴 발레리 ··················151
비논리시 ···················153
부조리: 유머 문체 ···············158
T. S. 엘리엇 ·················161
생존 페르스 ·················165
전제적 상상력 ················169
혼효의 기법과 은유들 ·············171
총괄적 결론 ·················180


현대시 연표 ···················184
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